Monthly Archives: March 2011

Limericks by Auden

tumblr_lgkxjaakHO1qcptz0o1_500As the poets have mournfully sung,
Death takes the innocent young,
The rolling-in-money,
The screamingly-funny,
And those who are very well hung.

— W. H. Auden

 

 

 

tumblr_lgzhvgaNau1qb7pqeo1_500After vainly invoking the Muse,
A poet cried “Hell! What’s the use?
“There is more inspiration
“At Grand Central Station–
“I shall go there this moment and cruise.”

— W. H. Auden

 

 

tumblr_le81xcgxvw1qbgs6do1_500A friend, who is not an ascetic,
Says: “Ireland, my dear, is magnetic!
“No snakes; lots of elves,
“Who just offer themselves–
“Rather small, but most sympathetic.”

— W. H. Auden


Mardi Gras Mambo

Since today is Mardi Gras, I thought I would do a special post for today.  Here is a book from one of my favorite authors, Greg Herren.  If you love mystery novels, you should love Greg Herren’s Scotty Bradley Mysteries or his other series of mysteries about gay New Orleans private eye Chanse MacLeod.  The Scotty Bradley books are a bit wild, whereas the Chanse MacLeod books are a bit more sober.  Both are great reads.  And be sure to check out Greg’s blog, Queer and Loathing in America.

From Publishers Weekly

Herren serves up an entertaining gumbo of New Age spirituality, clairvoyance, international intrigue and hometown boosterism in his third New Orleans gay noir featuring PI and former go-go dancer Scotty Bradley (after 2004’s Jackson Square Jazz). When red-eyed Scotty arrives home at dawn after a night of pre–Mardi Gras partying, he finds two detectives waiting to question him about his recreational drug connection, Russian emigré Misha Saltikov. Scotty was seen visiting Misha in the French Quarter the previous evening shortly before the man was found murdered. The path to solving the crime leads Scotty to his own eccentric family as well as a pair of Russian doppelgängers and secrets long buried. Meanwhile, Scotty’s unorthodox love-à-trois with ex-FBI hunk Frank Sobieski and man-of-mystery Colin Cioni reaches its pinnacle just before Frank is kidnapped and Colin disappears. Implausible coincidences don’t detract from the fast-moving plot. The suggestive cover art gives fair warning of graphic gay sex, but the protagonist’s quirky charm will appeal to all readers.

Mardi Gras is the elaborate series of outdoor pageants and indoor tableau balls held annually during the winter social season in the United States, especially in New Orleans and Mobile. The carnival culminates on Fat or Shrove Tuesday, the day before Ash Wednesday, the first day of Lent. MardiGrasRooted in European pre-Lenten revelries, the carnival tradition in the United States began in the colonial period and developed in tandem with racial policies and practices and survives as an extravagant spectacle of excess, decadence, and burlesque. The pageants, each sponsored by one of the many exclusive carnival organizations, are based upon themes drawn from mythology, history, or fiction and are often satiric of contemporary social issues.

Read more: http://www.answers.com/topic/mardi-gras#ixzz1FyFGgxUr


"The Platonic Blow" – W. H. Auden

How Dirty Is That Auden Poem That Was Too Dirty for the ‘Times Book Review’?


Courtesy of Scribner
The highlight of the March 17, 2008 New York Times Book Review is Dan Chiasson’s highly entertaining review of The Best American Erotic Poems, a new anthology of humpy verse edited by David Lehman. After calling John Updike’s “Fellatio” “perhaps the worst poem ever written on any subject,” Chiasson gleefully quotes the poem: “It is beautiful to think / that each of these clean secretaries / at night, to please her lover, takes / a fountain into her mouth.” But Chiasson teases us with his description of the dirtiest poem in the anthology, W.H. Auden’s “The Platonic Blow,” which Chiasson can only call “is the dirtiest verse written since Rochester — I can’t even talk about it here.”
So how dirty is it, really?
It is really, really, really, really dirty. Like a Penthouse Forum letter, except in lively verse, and with no women. It’s sort of great, and also sort of cheesy and awful, and also occasionally hilarious. (“‘Shall I rim you?’ I whispered. He shifted his limbs in assent.”) We feel compelled to reprint the entire thing, just because we never had any idea that W.H. Auden wrote an unbelievably filthy poem about an anonymous blow job.
According to the editor’s note, Auden wrote the poem in 1948, and copies were circulated among friends and fans for years, before Ed Sanders (of the Fugs) printed an unauthorized version in 1965. Auden publicly denied authorship, which is why we can reprint this without permission and with impunity (as does the anthology, which doesn’t include Auden’s poem on its copyright page). Enjoy!

The Platonic Blow
by W. H. Auden

It was a spring day, a day for a lay, when the air
Smelled like a locker-room, a day to blow or get blown;
Returning from lunch I turned my corner and there
On a near-by stoop I saw him standing alone.

I glanced as I advanced. The clean white T-shirt outlined
A forceful torso, the light-blue denims divulged
Much. I observed the snug curves where they hugged the behind,
I watched the crotch where the cloth intriguingly bulged.

Our eyes met. I felt sick. My knees turned weak.
I couldn’t move. I didn’t know what to say.
In a blur I heard words, myself like a stranger speak
“Will you come to my room?” Then a husky voice, “O.K.”

I produced some beer and we talked. Like a little boy
He told me his story. Present address: next door.
Half Polish, half Irish. The youngest. From Illinois.
Profession: mechanic. Name: Bud. Age: twenty-four.

He put down his glass and stretched his bare arms along
The back of my sofa. The afternoon sunlight struck
The blond hairs on the wrist near my head. His chin was strong.
His mouth sucky. I could hardly believe my luck.

And here he was sitting beside me, legs apart.
I could bear it no longer. I touched the inside of his thigh.
His reply was to move closer. I trembled, my heart
Thumped and jumped as my fingers went to his fly.

I opened a gap in the flap. I went in there.
I sought for a slit in the gripper shorts that had charge
Of the basket I asked for. I came to warm flesh then to hair.
I went on. I found what I hoped. I groped. It was large.

He responded to my fondling in a charming, disarming way:
Without a word he unbuckled his belt while I felt.
And lolled back, stretching his legs. His pants fell away.
Carefully drawing it out, I beheld what I held.

The circumcised head was a work of mastercraft
With perfectly beveled rim of unusual weight
And the friendliest red. Even relaxed, the shaft
Was of noble dimensions with the wrinkles that indicate

Singular powers of extension. For a second or two,
It lay there inert, then suddenly stirred in my hand,
Then paused as if frightened or doubtful of what to do.
And then with a violent jerk began to expand.

By soundless bounds it extended and distended, by quick
Great leaps it rose, it flushed, it rushed to its full size.
Nearly nine inches long and three inches thick,
A royal column, ineffably solemn and wise.

I tested its length and strength with a manual squeeze.
I bunched my fingers and twirled them about the knob.
I stroked it from top to bottom. I got on my knees.
I lowered my head. I opened my mouth for the job.

But he pushed me gently away. He bent down. He unlaced
His shoes. He removed his socks. Stood up. Shed
His pants altogether. Muscles in arms and waist
Rippled as he whipped his T-shirt over his head.

I scanned his tan, enjoyed the contrast of brown
Trunk against white shorts taut around small
Hips. With a dig and a wriggle he peeled them down.
I tore off my clothes. He faced me, smiling. I saw all.

The gorgeous organ stood stiffly and straightly out
With a slight flare upwards. At each beat of his heart it threw
An odd little nod my way. From the slot of the spout
Exuded a drop of transparent viscous goo.

The lair of hair was fair, the grove of a young man,
A tangle of curls and whorls, luxuriant but couth.
Except for a spur of golden hairs that fan
To the neat navel, the rest of the belly was smooth.

Well hung, slung from the fork of the muscular legs,
The firm vase of his sperm, like a bulging pear,
Cradling its handsome glands, two herculean eggs,
Swung as he came towards me, shameless, bare.

We aligned mouths. We entwined. All act was clutch,
All fact contact, the attack and the interlock
Of tongues, the charms of arms. I shook at the touch
Of his fresh flesh, I rocked at the shock of his cock.

Straddling my legs a little I inserted his divine
Person between and closed on it tight as I could.
The upright warmth of his belly lay all along mine.
Nude, glued together for a minute, we stood.

I stroked the lobes of his ears, the back of his head
And the broad shoulders. I took bold hold of the compact
Globes of his bottom. We tottered. He fell on the bed.
Lips parted, eyes closed, he lay there, ripe for the act.

Mad to be had, to be felt and smelled. My lips
Explored the adorable masculine tits. My eyes
Assessed the chest. I caressed the athletic hips
And the slim limbs. I approved the grooves of the thighs.

I hugged, I snuggled into an armpit. I sniffed
The subtle whiff of its tuft. I lapped up the taste
Of its hot hollow. My fingers began to drift
On a trek of inspection, a leisurely tour of the waist.

Downward in narrowing circles they playfully strayed.
Encroached on his privates like poachers, approached the prick,
But teasingly swerved, retreated from meeting. It betrayed
Its pleading need by a pretty imploring kick.

“Shall I rim you?” I whispered. He shifted his limbs in assent.
Turned on his side and opened his legs, let me pass
To the dark parts behind. I kissed as I went
The great thick cord that ran back from his balls to his arse.

Prying the buttocks aside, I nosed my way in
Down the shaggy slopes. I came to the puckered goal.
It was quick to my licking. He pressed his crotch to my chin.
His thighs squirmed as my tongue wormed in his hole.

His sensations yearned for consummation. He untucked
His legs and lay panting, hot as a teen-age boy.
Naked, enlarged, charged, aching to get sucked,
Clawing the sheet, all his pores open to joy.

I inspected his erection. I surveyed his parts with a stare
From scrotum level. Sighting along the underside
Of his cock, I looked through the forest of pubic hair
To the range of the chest beyond rising lofty and wide.

I admired the texture, the delicate wrinkles and the neat
Sutures of the capacious bag. I adored the grace
Of the male genitalia. I raised the delicious meat
Up to my mouth, brought the face of its hard-on to my face.

Slipping my lips round the Byzantine dome of the head,
With the tip of my tongue I caressed the sensitive groove.
He thrilled to the trill. “That’s lovely!” he hoarsely said.
“Go on! Go on!” Very slowly I started to move.

Gently, intently, I slid to the massive base
Of his tower of power, paused there a moment down
In the warm moist thicket, then began to retrace
Inch by inch the smooth way to the throbbing crown.

Indwelling excitements swelled at delights to come
As I descended and ascended those thick distended walls.
I grasped his root between left forefinger and thumb
And with my right hand tickled his heavy voluminous balls.

I plunged with a rhythmical lunge steady and slow,
And at every stroke made a corkscrew roll with my tongue.
His soul reeled in the feeling. He whimpered “Oh!”
As I tongued and squeezed and rolled and tickled and swung.

Then I pressed on the spot where the groin is joined to the cock,
Slipped a finger into his arse and massaged him from inside.
The secret sluices of his juices began to unlock.
He melted into what he felt. “O Jesus!” he cried.

Waves of immeasurable pleasures mounted his member in quick
Spasms. I lay still in the notch of his crotch inhaling his sweat.
His ring convulsed round my finger. Into me, rich and thick,
His hot spunk spouted in gouts, spurted in jet after jet.

http://nymag.com/daily/entertainment/2008/03/how_dirty_is_that_auden_poem_t.html

As you know, I generally add pictures to poems, but due to the explicit eroticism of “The Platonic Blow” also known as“A Day for a Lay,” I have decided to do a companion post of pictures on my other blog.


Indiana Jones: Anything Goes

I am a big fan of Indiana Jones.  Those movies are one of the reasons I decided to study history.  Raiders of the Lost Ark and The Last Crusade are my two favorite of the movies.  I never was a huge fan of Temple of Doom, but after seeing Kingdom of the Crystal Skull, I like Temple of Doom much better.  My favorite part of the movie is the opening sequence when Kate Capshaw as Willie Scott sing a Mandarin version of the Cole Porter classic, “Anything Goes.”

USA Network is showing all four Indiana Jones movies today, and I am enjoying each one of them all over again.  It not only reminds me of my childhood, but also why I love history so much.


Moment of Zen: Fireside

BOTD-010311-06


Stopping by Woods on a Snowy Evening

Winter only has a few more weeks left.  The cold is almost over, and it certainly feels like its over here, with our 80 degree weather.  We had to turn the air conditioners back on today.  I dread the heat.  I always love the fall and the winter because we have a respite from the oppressive heat and humidity of the Deep South.  So before winter ends, I have to add one of my favorite winter poems:
Stopping by Woods on a Snowy Evening
by Robert Frost (1923)!000000aaa001a0000aawintry_mix10
Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.

My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
!000000aaa001a0000aaaasnow-a038The darkest evening of the year.

He gives his harness bells a shake
To ask if there is some mistake.
The only other sound’s the sweep
Of easy wind and downy flake.

The woods are lovely, dark and deep.
But I have promises to keep,
!000000aaa001a0000groupsnow-a040And miles to go before I sleep,
And miles to go before I sleep.