
What Is Planted

There’s a particular stillness to Good Friday. Not the kind that feels peaceful, exactly—but the kind that feels held. Suspended. Waiting.
It’s the kind of quiet that lingers in your chest a little longer than usual, the kind that doesn’t rush you forward. It simply asks you to remain where you are.
Growing up, Good Friday meant something a little different in our house.
My father worked constantly—long hours for the telephone company, weekends included. Days off were rare, and even when he had them, they were usually filled with something that needed doing. But every year, without fail, he made sure he had Good Friday free.
That was the day he planted the garden.
It wasn’t arbitrary. It wasn’t just a convenient day off. It was something deeper than that—a quiet, inherited knowing.
In the South, Good Friday has long been considered the right time to plant. It’s that moment when winter has finally loosened its grip, when the ground is soft enough to receive what’s placed in it, when spring has arrived even if it hasn’t fully revealed itself yet. The air still carries a chill, but something underneath has already begun to change.
So while others marked the day in church pews or hushed reflection, my father marked it with his hands in the soil. And there’s something quietly profound about that. On a day that remembers death—he chose to plant something meant to live.
While the world recalls the crucifixion of Jesus Christ, he was participating in something older, something just as sacred: the trust that what is placed in the ground will rise again.
Good Friday is not a day of answers.
It doesn’t rush ahead to resurrection. It doesn’t skip past the hard part to get to joy. It lingers instead in that difficult, in-between space where loss is still real, where grief has not yet lifted, where hope exists but feels fragile—too small, too uncertain to fully grasp.
And maybe that’s why planting belongs here. Because planting is, at its core, an act of quiet faith.
You take something small—something that looks like almost nothing—and you place it into darkness. You cover it, knowing you won’t see it again for some time. And yet you do it anyway, not as an act of ending, but because you believe in what comes next.
For many of us—especially those of us who have had to carve out space for ourselves within faith—that rhythm feels deeply familiar.
There have been parts of ourselves we buried just to survive. Dreams we set aside because they weren’t safe to live out yet. Love we kept hidden, waiting for a place where it could breathe and grow.
And yet, even in those moments, something in us kept planting. Kept believing, however quietly, that what was placed in the ground was not gone.
Good Friday reminds us that not everything buried is lost. Some things are planted. Maybe that’s what my father understood, even if he never would have said it that way.
That this day, of all days, was the right time to trust the unseen. That the season itself was already turning. That the earth knew something was changing, even if nothing visible had broken through the surface yet.
So wherever you find yourself this Good Friday—in grief, in waiting, in uncertainty—hold onto this:
What is planted in love is never wasted.
Even in the dark.
Even in the silence.
Especially there.
At the end of this post, I’ve included In Your Love by Tyler Childers. It’s a story of love, loss, and the work that continues afterward—set against fields and soil much like the ones my father turned over each Good Friday. There’s something in it that echoes this day: the quiet persistence of love in the face of death, and the way life keeps moving forward, even when something—or someone—is gone.
Feet, Faith, and 4 a.m.

Holy Thursday always sneaks up on me a little.
It’s one of those days that sits in an in-between space—part of Holy Week, part of the lead-up to Good Friday, but often quieter, less defined in my mind than Easter Sunday or even Palm Sunday. And yet, it carries one of the most intimate and, frankly, unusual traditions in Christianity: the washing of feet.
I’ll be honest—feet have never really done anything for me. I know foot fetishes are a thing, and if that’s what someone is into, more power to them, but it’s never been my thing. There is, however, one small exception. In the summer, there is something undeniably attractive about a guy in shorts and flip flops—thongs, as some people call them—with a good tan and well-kept feet. I enjoy the look, I’ll admit that. But that’s about where it ends. Admiration, not participation.
Now, receiving a foot massage after a long day? That’s a different story. I don’t think there’s a person alive who doesn’t appreciate that. Giving one, however, is another matter entirely. I’ll pass on that, thank you very much.
All of this was on my mind this morning because today is Holy Thursday—also called Maundy Thursday—and in many traditions, especially in the Roman Catholic Church, there is the ritual of washing feet. It’s meant to symbolize humility and equality, recalling the moment when Jesus Christ washed the feet of his disciples during the Last Supper, on the night before his crucifixion.
It’s a striking image when you really think about it. A teacher, a leader—someone his followers believed to be the Son of God—kneeling down to do the work of a servant. Not just symbolically lowering himself, but physically, intentionally taking on a task that was considered beneath someone of his status.
That wasn’t a tradition I grew up with.
There weren’t many Catholics where I lived, and it certainly wasn’t something practiced in the Church of Christ. The first time I really became aware of foot washing as a religious act wasn’t in a cathedral or during Holy Week—it was driving past a small, plain church and being told, almost in passing, that they were “Foot Washing Baptists.”
That stuck with me.
Officially, they’re known as Primitive Baptists, a group that tries to hold closely to early Baptist traditions and theology often associated with figures like John Calvin. But what I remember wasn’t the theology—it was the practice. They would wash one another’s feet as part of their worship, usually after communion, or the Lord’s Supper as we always called it.
Even then, I remember thinking how unusual it seemed.
And yet, the more I’ve thought about it over the years, the more I realize how deeply human—and how deeply uncomfortable—that kind of ritual is meant to be. It breaks down barriers. It asks people to step out of their usual roles, their sense of dignity, their personal space, and to meet one another in a place of vulnerability and equality.
So here we are: Holy Thursday bringing together a strange mix of thoughts—foot washing as a sacred act, childhood memories of small churches and unfamiliar traditions, and, somehow, the modern reality that feet can also be the object of entirely different kinds of attention.
It’s funny how the mind works, especially at four in the morning. It wanders. It connects things that don’t seem like they should belong together. And sometimes, in those odd connections, something meaningful—or at least interesting—emerges.
Maybe that’s part of what today invites us to do. To sit with the unexpected. To consider humility in ways that feel a little uncomfortable. To remember that the most powerful acts of love and equality are often the least glamorous.
And maybe, just maybe, to appreciate that even something as ordinary—and, for some of us, as unappealing—as feet can carry a deeper meaning when placed in the right context.
🐈⬛ 🐈⬛ 🐈⬛
I swear sometimes Isabella can read a clock. More than once, she has started trying to wake me up at exactly 4:00 a.m., as if she’s got an internal alarm that’s more reliable than mine. I’ll post an Isabella Pic of the Week after this—because if she’s awake at 4 a.m., she has decided she should not be alone in that experience… and that it’s clearly time for her wet food.

A Day for Fools

📰 Breaking News 📰
The U.S. president signed an executive order declaring April 1 as “Donald Trump Day.” It will be a day when no one is allowed to speak a word of truth.
April Fools!
Thank goodness no holiday is being named after him—though, if we’re being honest, I wouldn’t entirely put it past him to try to declare a holiday named after himself. If he did, April 1 would be an appropriate day, since he is the biggest fool of all.
April 1 has always been one of those quietly delightful days—one where the rules loosen just a little, where humor takes center stage, and where we’re all reminded not to take ourselves too seriously.
The origins of April Fool’s Day are a bit of a mystery, but the most widely accepted explanation takes us back to 16th-century Europe. For centuries, many people celebrated the new year not on January 1, but around the end of March, often culminating on April 1. When Charles IX of France reformed the calendar in 1564 and moved the start of the new year to January 1, not everyone got the memo—or chose to follow it. Those who continued celebrating in early April were mocked, teased, and labeled “April fools.”
Over time, those teasing traditions evolved into something more playful. In France, people still celebrate poisson d’avril, or “April fish,” where children try to sneak paper fish onto someone’s back without them noticing. It’s harmless, a little silly, and entirely in the spirit of the day.
There’s also a deeper thread that connects April Fool’s Day to older spring traditions. Across cultures, the arrival of spring has long been associated with unpredictability—weather that can’t make up its mind, seasons shifting in unexpected ways. Festivals like Holi in India or Hilaria in Rome embraced laughter, disguise, and inversion of social norms. In that sense, April Fool’s Day feels like a continuation of something ancient: a moment when the world turns upside down, if only briefly.
Some of the most famous April Fool’s pranks in history are almost works of art in their own right. In 1957, the BBC aired a segment showing Swiss farmers harvesting spaghetti from trees. At the time, spaghetti wasn’t widely familiar in Britain, and many viewers believed it. Some even called in asking how they could grow their own spaghetti trees. It remains one of the most famous and successful pranks ever broadcast because it was delivered with complete seriousness.
Decades later, the BBC did it again, this time with a nature documentary revealing that penguins could fly. The visuals were convincing, the narration authoritative, and for a moment, it felt just plausible enough to make you wonder.
In 1996, Taco Bell took out full-page ads claiming they had purchased the Liberty Bell and renamed it the “Taco Liberty Bell.” People were outraged—until they realized it was April 1. The company later revealed it was all a joke, and the publicity was priceless.
And in more recent years, Google turned April Fool’s Day into something of an annual tradition, launching elaborate fake products like “Google Nose” or “Gmail Motion.” These pranks were often so well executed that people almost wished they were real.
Here in Vermont, we get an extra helping of fools—just a few months later. In Burlington, the “fools” come out around August 1 for the annual Festival of Fools, when street performers take over Church Street Marketplace and City Hall Park. Jugglers, acrobats, comedians, and buskers fill the streets with laughter and spectacle. It’s not about tricking people so much as delighting them—but it carries the same spirit: a celebration of humor, surprise, and a willingness to be entertained.
What all of these traditions and pranks have in common is not just deception, but delight. The best April Fool’s jokes don’t humiliate; they invite us in on the joke, even if it’s only after the fact.
And maybe that’s why the day endures.
In a world that often feels heavy, serious, and unrelenting, April Fool’s Day offers something rare: permission to laugh, to be a little gullible, to enjoy the absurd. It reminds us that not everything has to be optimized, productive, or even entirely true.
Sometimes, it’s enough to be surprised.
So if someone tries to send you on a ridiculous errand today, or you find yourself momentarily believing something just a little too strange to be real—take it in stride.
After all, we’re all fools today.
And maybe that’s not such a bad thing.
Continue readingHoneycrisp

Honeycrisp
by January Gill O’Neil
My boyfriend will eat
an entire apple in one sitting.
Peel, pulp, core. Hands me
the stem when he’s done.
Seeds in his gut. The calyx
a dank star. An orchard grows
inside him. The tongue
that slicks the skin. Hands
perfumed with bruised sugar.
His kisses a tender lament.
The heart that glows. How he takes
everything the fruit offers
and leaves nothing
but the stem. I let my body
follow. Set my jaw soft.
Rapt, greedy, this devotion.
Tough armor. Red glow. Yellow
flesh. Every bite a fall
from grace.
🍎 🍎 🍎
About the Poem
January Gill O’Neil describes this poem as an exploration of appetite—of “devouring everything in sight”—and that idea pulses through every line. The apple is more than fruit; it becomes a symbol of desire, of intimacy, of giving oneself over completely. The act of eating is transformed into something almost sacred, almost dangerous.
There is something deeply sensual about the language: “tongue / that slicks the skin,” “hands / perfumed with bruised sugar,” “kisses a tender lament.” None of it is explicit, and yet it is undeniably intimate. The physical act of consumption mirrors emotional and romantic vulnerability. To love, the poem suggests, is to consume and be consumed—to take in everything another person offers, even knowing that such devotion leaves one exposed.
The final line—“Every bite a fall / from grace”—invokes the biblical image of the apple as forbidden fruit. Love, desire, and surrender become acts of both joy and risk. There is sweetness here, but also the awareness that to give yourself entirely to someone is to step beyond safety, beyond restraint.
I was struck most by O’Neil’s idea of “giving yourself over entirely to something—or someone—you just can’t get enough of.” There’s something beautiful and a little frightening in that kind of devotion.
While I don’t have a boyfriend, I recognize that instinct in myself. It’s the way I am with friends, with the people I care about. When I love—whether romantically or platonically—I tend to give fully, sometimes more than I probably should. I was raised to be kind, to be generous, to be present for others, and that often means offering my time, my attention, and my heart without holding much back.
There’s a vulnerability in that. Sometimes people appreciate it. Sometimes they take advantage. But I’m not sure I would want to love any other way. There is something honest—almost sacred—about giving freely, about not rationing care or affection.
Like the poem, that kind of love can feel like a kind of falling—unguarded, wholehearted, a little reckless. But it is also where the sweetness is.
🍎 🍎 🍎
About the Poet
January Gill O’Neil is an American poet known for her vivid imagery, emotional clarity, and exploration of identity, love, and everyday experience. Her work often blends the sensual with the reflective, grounding abstract emotions in tangible, physical details.
In “Honeycrisp,” O’Neil captures something both universal and deeply personal: the hunger for connection and the willingness to surrender to it. Her language invites the reader not just to observe, but to feel—to taste the sweetness, to sense the risk, and to recognize the quiet power of devotion.
A Small Shift to Start the Week

Monday has come again.
I slept in a bit this morning—until 5:00 a.m.—which, for me, almost counts as indulgent. The only reason for the extra rest is a slight adjustment to the day. I’m going into work late and will be leaving early for a dental appointment, which means working around the university’s leave policy. Since we now have to take leave in four-hour increments, even a short appointment requires a bit more reshuffling than it used to. There was a time when anything under two hours didn’t require leave at all, but like many things, that has changed.
It’s a small inconvenience in the grand scheme of things—just one of those minor bureaucratic realities that shape the rhythm of a workday. Nothing dramatic, nothing particularly frustrating. Just… different.
And maybe that’s what today feels like overall. Not rushed, not overwhelming—just slightly out of step with the usual routine.
There isn’t much more to say today. Just easing into the week, adjusting where needed, and moving forward.
Have a great week, everyone!












