“According to publicist Yanou Collart, who acted as his spokeswoman in Paris, the decision was Hudson’s. ‘The hardest thing I ever had to do in my life was to walk into his room and read him the press release,’ says Collart. “I’ll never forget the look on his face. How can I explain it? Very few people knew he was gay. In his eyes was the realization that he was destroying his own image. After I read it, he said simply, ‘That’s it, it has to be done.’ “
Category Archives: History
Independence
When in the Course of human events, it becomes necessary for one people to dissolve the political bands which have connected them with another, and to assume among the powers of the earth, the separate and equal station to which the Laws of Nature and of Nature’s God entitle them, a decent respect to the opinions of mankind requires that they should declare the causes which impel them to the separation.
We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness.–That to secure these rights, Governments are instituted among Men, deriving their just powers from the consent of the governed, –That whenever any Form of Government becomes destructive of these ends, it is the Right of the People to alter or to abolish it, and to institute new Government, laying its foundation on such principles and organizing its powers in such form, as to them shall seem most likely to effect their Safety and Happiness. Prudence, indeed, will dictate that Governments long established should not be changed for light and transient causes; and accordingly all experience hath shewn, that mankind are more disposed to suffer, while evils are sufferable, than to right themselves by abolishing the forms to which they are accustomed. But when a long train of abuses and usurpations, pursuing invariably the same Object evinces a design to reduce them under absolute Despotism, it is their right, it is their duty, to throw off such Government, and to provide new Guards for their future security.–Such has been the patient sufferance of these Colonies; and such is now the necessity which constrains them to alter their former Systems of Government. The history of the present King of Great Britain is a history of repeated injuries and usurpations, all having in direct object the establishment of an absolute Tyranny over these States. To prove this, let Facts be submitted to a candid world.
Paul Revere’s Ride
Joan of Arc
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| Emmanuel Frémiet’s statue of Joan of Arc, in military attire, stands outside the Place des Pyramides, Paris. |
Kelly DeVries notes that, “No person of the Middle Ages, male or female, has been the subject of more study than Joan of Arc. She has been portrayed as saint, heretic, religious zealot, seer, demented teenager, proto-feminist, aristocratic wanna-be, savior of France, person who turned the tide of the Hundred Years War and even Marxist liberator.”[1] Due to such widely differing interpretations of her life and its meaning, many interpretations of the implications of her adoption of a male dress and lifestyle have been debated.
As Susan Crane notes, “Joan of Arc wore men’s clothes almost continually from her first attempts to reach the Dauphin, later crowned Charles VII, until her execution twenty-eight months later. In court, on campaigns, in church, and in the street she cross-dressed, and she refused to stop doing so during the long months of her trial for heresy. Joan’s contemporary supporters and adversaries comment extensively on her clothing, and the records of her trial provide commentary of her own, making her by far the best-documented transvestite of the later Middle Ages”[2]
After her capture while protecting the French retreat at Margny, Joan was sold to the English, imprisoned, and subsequently tried for heresy. Despite the attempts of the judges to get her to repent for her donning of male attire, Joan repeatedly defends the wearing of them as a “small matter” that was “the commandment of God and his angels.” As Pernoud and Clin note, “Other questions about her mode of dress provoked only repetitions of these answers: She had done nothing that was not by the commandment of God. Probably not even Cauchon could then have guessed the importance that her mode of dress would come to assume.”[3] As Beverly Boyd observed, “The issue was, of course, [Joan’s] voices .. but the emblem of the heresy was her wearing of men’s clothing.”[4]
Joan signed a cedula, possibly without understanding, indicating that she would no longer wear men’s clothing, only to “relapse” later, giving the court justification to have her executed (“Only those who had relapsed — that is, those who having once adjured their errors returned to them — could be condemned to death by a tribunal of the Inquisition and delivered for death.”)[5] On May 30, 1431, Joan of Arc was burned at the stake.
Notes:
- DeVries, Kelly (1996). Fresh Verdicts on Joan of Arc / A Woman As A Leader Of Men. Garland Publishing. pp. 3.
- DuParc, Pierre (1977). Procès en Nullité de la Condamnation de Jeanne d’Arc, Volume 1. Société de l’Histoire de France. pp. 289-290. Another translation is given in: Murray, T. Douglas (1902). Jeanne d’Arc, Maid of Orleans: Deliverer of France. pp. 223.
- DuParc, Pierre (1977). Procès en Nullité de la Condamnation de Jeanne d’Arc, Volume 1. Société de l’Histoire de France. pp. 306. Another translation is given in: Pernoud, Régine (1994). Joan of Arc By Herself and Her Witnesses. Scarborough House. pp. 39.
- DuParc, Pierre (1977). Procès en Nullité de la Condamnation de Jeanne d’Arc, Volume 1. Société de l’Histoire de France. pp. 426.
- BAN Lat. 1119 f.47r; Proces… Vol I page 220,221
More information can be found at: “Cross-dressing, gender identity, and sexuality of Joan of Arc”
MEDIA RELEASE: New Exhibitions Reveal Untold Stories of Queer History
New Exhibitions at GLBT History Museum to Highlight Queer
Asian/Pacific Lesbians marching in the 1989 San Francisco LGBT Pride Parade. Photo: Cathy Cade at www.cathcade.com; courtesy of the Bancroft Library.
Produced by the Sisters of Perpetual Indulgence in 1982, the “Play Fair!” brochure launched the safer sex movement. Photo courtesy of the GLBT Historical Society.
Kiss Mor Chiks
Thousands of supporters of fast food restaurant Chick-fil-A made their way to restaurants all over Alabama and the United States Wednesday to stand in long lines in support of the restaurant chain. Customers packed dining rooms and found themselves wrapped in lines outside restaurants in Montgomery, Prattville, Auburn, Dothan and many other locations around the state and country. Cars snaked around the buildings all day and stretched great distances beyond parking lots. By early evening, some of the restaurants reported they’d exhausted their food supply and were preparing to close.
The day was billed by conservatives, and credited to talk show host and former Arkansas Governor Mike Huckabee, as an unofficial “Chick-fil-A Appreciation Day” in support of the company. CFA said it had nothing to do with the event’s organization. CFA President, Dan Cathy, recently sparked a nationwide controversy following remarks that he does not support same-sex marriage. Cathy told a Baptist magazine that he believes in the Biblical definition of marriage, a union between a man and a woman. The family-owned company’s 1,600+ outlets remain closed on Sundays for religious reasons. Cathy’s remarks have made his company the target of multiple boycotts. The Jim Henson Company pulled its toys from the company’s kids’ meals. Mayors of several large cities, including Boston and Chicago, have also said the company isn’t welcomed, although its unlikely the company’s permits will be denied.
As churches struggle with the issue of homosexuality, a long tradition of same sex marriage indicates that the Christian attitude toward same sex unions may not always have been as “straight” as is now suggested. A Kiev art museum contains a curious icon from St. Catherine’s monastery on Mt. Sinai.
It shows two robed Christian saints. Between them is a traditional Roman pronubus (best man) overseeing what in a standard Roman icon would be the wedding of a husband and wife. In the icon, Christ is the pronubus. Only one thing is unusual. The husband and wife are in fact two men.
The very idea seems initially shocking. The full answer comes from other sources about the two men featured, St. Serge and St. Bacchus, two Roman soldiers who became Christian martyrs.
While the pairing of saints, particularly in the early church, was not unusual, the association of these two men was regarded as particularly close. Severus of Antioch in the sixth century explained that “we should not separate in speech [Serge and Bacchus] who were joined in life.” More bluntly, in the definitive 10th century Greek account of their lives, St. Serge is openly described as the “sweet companion and lover” of St. Bacchus.
In other words, it confirms what the earlier icon implies, that they were a homosexual couple who enjoyed a celebrated gay marriage. Their orientation and relationship was openly accepted by early Christian writers. Furthermore, in an image that to some modern Christian eyes might border on blasphemy, the icon has Christ himself as their pronubus, their best man overseeing their gay marriage.
The very idea of a Christian gay marriage seems incredible. Yet after a twelve year search of Catholic and Orthodox church archives Yale history professor John Boswell, and author of Same Sex Unions In Pre-Modern Europe, has discovered that a type of Christian gay marriage did exist as late as the 18th century.
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Contrary to myth, Christianity’s concept of marriage has not been set in stone since the days of Christ, but has evolved as a concept and as a ritual.
Professor Boswell discovered that in addition to heterosexual marriage ceremonies in ancient church liturgical documents (and clearly separate from other types of non-marital blessings of adopted children or land) were ceremonies called, among other titles, the “Office of Same Sex Union” (10th and 11th century Greek) or the “Order for Uniting Two Men” (11th and 12th century). That certainly sounds like gay marriage.
Boswell found records of same sex unions in such diverse archives as those in the Vatican, in St. Petersburg, in Paris, Istanbul, and in Sinai, covering a period from the 8th to 18th centuries. Nor is he the first to make such a discovery. The Dominican Jacques Goar (1601-1653) includes such ceremonies in a printed collection of Greek prayer books.
It sounds to me that the so-called “traditional” definition of marriage as between one man and one woman is not so traditional. It is based on verses in the Old Testament, which also states that King Solomon had 700 wives and 300 concubines.
The Ancient Olympics
When I took my first history class in college, I did a research project on the Ancient Olympics. I had always been fascinated with the thought of athletes competing in the nude, but I also was in by the Summer Olympics that year, which were being held in Atlanta. My family and I actually went to the Olympics that year since it was close by and had a great time. I was thinking today about doing another history post and I was thinking about all the conversation we have been having about circumcision, and the idea of the Ancient Olympics came to me.
One of the things I learned during that research project on the Ancient Olympics is that men were not allowed to compete if they were
circumcised, which meant that during that time Greek Jews were not allowed to compete in the Ancient Olympics. I also learned that in order to protect their penis during wrestling matches and other contact sports, the men would tie a string around the tip of their foreskin enclosing their glans, thus keeping them safe. The kynodesme was tied tightly around the part of the foreskin that extended beyond the glans. The kynodesme could then either be attached to a waist band to expose the scrotum, or tied to the base of the penis so that the penis appeared to curl upwards.
The ancient Olympics were rather different from the modern Games. There were fewer events, and only free men who spoke Greek could compete, instead of athletes from any country. Also, the games were always held at Olympia instead of moving around to different sites every time.
There are numerous myths about how the Olympics began. One myth says that the guardians of the infant god Zeus held the first footrace, or that Zeus himself started the Games to celebrate his victory over his father Cronus for control of the world. Another tradition states that after the Greek hero Pelops won a chariot race against King Oenomaus to marry Oenomaus’s daughter Hippodamia, he established the Games.
Athletic games also were an important part of many religious festivals from early on in ancient Greek culture. In the Iliad, the famous warrior Achilles holds games as part of the funeral services for his best friend Patroclus. The events in them include a chariot race, a footrace, a discus match, boxing and wrestling.
The footrace was the sole event for the first 13 Olympiads. Over time, the Greeks added longer footraces, and separate events. The pentathlon and wrestling events were the first new sports to be added, in the 18th Olympiad.
Click on any of the event names to see a description of a particular sport:
The victorious olive branch. The Ancient Olympic Games didn’t have any medals or prizes. Winners of the competitions won olive wreaths, branches, as well as woolen ribbons. The victors returned home as heroes – and got showered with gifts by their fellow citizens.
Here are two videos the History Channel did about the Ancient Olympics. Too bad, they have them wearing modesty pouches.
By the way, for those interested, here is an explanation of women’s role in the Ancient Olympics:
Married women were banned at the Ancient Olympics on the penalty of death. The laws dictated that any adult married woman caught entering the Olympic grounds would be hurled to her death from a cliff! Maidens, however, could watch (probably to encourage gettin’ it on later). But this didn’t mean that the women were left out: they had their own games, which took place during Heraea, a festival worshipping the goddess Hera. The sport? Running – on a track that is 1/6th shorter than the length of a man’s track on the account that a woman’s stride is 1/6th shorter than that of a man’s! The female victors at the Heraea Games actually got better prizes: in addition to olive wreaths, they also got meat from an ox slaughtered for the patron deity on behalf of all participants! Overall, young girls in Ancient Greece weren’t encouraged to be athletes – with a notable exception of Spartan girls. The Spartans believed that athletic women would breed strong warriors, so they trained girls alongside boys in sports. In Sparta, girls also competed in the nude or wearing skimpy outfits, and boys were allowed to watch.
Another side note, Spartan marriage rituals are quite fascinating, if any one is interested I will do a straight post about Spartan sexuality and the marriage rituals. It will have some about gay sex, these were the Spartans after all.
The History of the Movement in One Man’s Life
Credit: Rink Foto / HBO
To LGBT people who came of age in the 1970s and ’80s, Vito Russo is an icon. But among younger generations, Russo is barely known — and that’s something Jeffrey Schwarz set out to change with his comprehensive, affecting documentary Vito, premiering tonight on HBO.
“I felt like making a documentary could help introduce him to a new generation,” says Schwarz, producer and director of the film about the man who was author of The Celluloid Closet, a key player in ACT UP, and so much more.
Schwarz, 42, never met Russo, who died in 1990 at age 44, but the filmmaker has a long history with his subject nonetheless. “Vito has always been a beacon to me,” says Schwarz. “One of the first things I did when I was coming out was read The Celluloid Closet,” Russo’s landmark 1981 book about gay and lesbian images in film.
This was in the late 1980s, but Schwarz had been aware of Russo for several years before that. In 1982, when Schwarz was 12, he saw an episode of the movie-review show Sneak Previews, then hosted by Gene Siskel and Roger Ebert, about gay-themed films coming out that year, and the critics mentioned Russo and The Celluloid Closet.
Later, after Schwarz had been through film school and fallen in love with the documentary form, he heard that Rob Epstein and Jeffrey Friedman were making a movie of The Celluloid Closet, and he asked to work on it. That 1995 documentary, for which Schwarz was apprentice editor, was his first job in the movie business, and the gig gave him access to archives through which he got to know Russo well.
Vito, which Schwarz began planning about five years ago, will give audiences the opportunity to know Russo well. Through archival footage and interviews with family members, friends, and a veritable who’s who of the modern gay rights movement, the film traces his love of movies along with his anger over their negative portrayals of gays; his development as an activist; his outgoing, outsize personality; and his struggle with AIDS, which eventually took his life, but not before he fought tirelessly for awareness and treatment as a member of the direct-action group ACT UP. Russo’s life is essentially a history of the gay movement from Stonewall through ACT UP, says Schwarz.
In one piece of archival footage, Russo says, “Everything I’ve done I’ve chosen to do. This is the life I wanted. I’m one of the very few people I know who can say I never did anything I didn’t want to do, and I always did exactly what I pleased. Very few people can say that about their lives.”
Born in 1946, Russo spent his early life in New York City and developed a passion for film early on, often tagging along with his cousin Phyllis Antonellis on her movie dates, then recounting the plots to his family. He also developed a passion for men, and “never once for a second believed that it was wrong to be gay,” as he observes in the film, despite his Catholic upbringing. In 1961 his family moved to Lodi, N.J., a suburban town he hated for many reasons, including the bullying he received from high school jocks, but he discovered other gay kids and formed a support system.
He returned to New York as soon as he turned 18, and he was a witness to the Stonewall riots of 1969, but he didn’t become politicized until after a raid on another bar, the Snake Pit. He joined the Gay Activists Alliance, an early gay rights group, and participated in many protests, including one for marriage rights in 1971, with an “engagement party” for Russo and his then-lover, Steve Krotz, at the New York marriage bureau. He also started movie nights for the GAA, showing classic films with gay-beloved divas like Judy Garland and Bette Davis.
As the 1970s progressed, Russo made a living and a name as a journalist for The Advocate and other publications, interviewing celebrities such as Bette Midler and Lily Tomlin, and worked in the film department at New York’s Museum of Modern Art, where he discovered many vintage movies with both coded and explicit gay and lesbian images. Out of this came “Celluloid Closet” lectures and eventually the book, documenting how gay characters were consistently either villains or objects of ridicule, and often died in the end.
“He was the first person to write about how Hollywood treated homosexuals,” says writer Bruce Vilanch in the film. Other well-known interviewees include Larry Kramer, Armistead Maupin, Malcolm Boyd, Gabriel Rotello, Jenni Olson, David Ehrenstein, former Advocate editor Mark Thompson, Tomlin, Epstein, and Friedman, along with many others who knew Russo, including members of his supportive family, such as Antonellis (everyone’s favorite, says Schwarz) and his brother Charlie.
“The film couldn’t have been made without Charlie Russo and other people in the family, like cousin ‘Perky’ [Antonellis],” Schwarz says. His first call when he decided to make the film, he says, was to Charlie. In the film, Charlie recalls the strong bond between Vito and their mother as well as the party atmosphere that reigned among the extended Russo family whenever Vito came to visit.
Other “angels” who helped make the film a reality include Bryan Singer, who came on as executive producer, and HBO executives such as Sheila Nevins. HBO got on board after Schwarz showed network officials a 20-minute sample of the film. “I’m still pinching myself that HBO is our partner in this,” Schwarz says. “It’s kind of a stamp of quality when a documentary airs on HBO.”
Schwarz, who has created many short documentaries used as bonuses on DVD releases, has also made feature-length ones on subjects including porn star Jack Wrangler and horror-film producer-director William Castle. By the end of the year, he hopes to finish I Am Divine, a doc about John Waters’s biggest star. Next up is a documentary on gay actor Tab Hunter, then one on antigay activist Anita Bryant and her infamous Save Our Children campaign.
Right now, he’s thrilled to be bringing Vito Russo to a new audience. In addition to making the film, he’s edited a two-volume collection of Russo’s writings, Out Spoken: A Vito Russo Reader,published by White Crane Books.
He was gratified, he notes, by the reception Vitoreceived as the opening-night attraction this month at Outfest, Los Angeles’s LGBT film festival. “The greatest thing about making this film is everyone is talking about Vito Russo,” he says. “It’s going to get people talking about our history. I hope it will inspire young people to go out there and live a life Vito would be proud of.”
Vito premieres tonight at 9 Eastern/Pacific on HBO.
Stonewall Uprising
Stonewall Uprising . American Experience . WGBH | PBS
When police raided the Stonewall Inn, a popular gay bar in the Greenwich Village section of New York City on June 28, 1969, the street erupted into violent protests that lasted for the next six days. The Stonewall riots, as they came to be known, marked a major turning point in the modern gay civil rights movement in the United States and around the world.
In this 90-minute film, AMERICAN EXPERIENCE draws upon eyewitness accounts and rare archival material to bring this pivotal event to life. Based on David Carter’s critically acclaimed book, Stonewall: The Riots that Sparked the Gay Revolution, Stonewall Uprising was produced by Kate Davis and David Heilbroner.
For more information about the beginnings of the Gay Rights Movement in the United States and the Stonewall Riots, please check out my series of post on Stonewall.


























