Category Archives: History

A World Without Homosexuals…

I have been thinking this month especially about all of the contributions of gay, lesbian, bisexual and transgender people.  A thought occurred to me, can I even imagine what the world would be like if there had never been any homosexuals?

Without Alexander the Great, Hellenistic culture would not have been spread from India to Egypt. The Italian Renaissance would have been non-existent without those who created the art and architecture of the Renaissance, the vast majority of whom were gay or bisexual. Leonardo Da Vinci, Michelangelo, Caravaggio, Socrates, Aristotle, and Alexander the Great are also reputed to be gay by some historians. Think what would have been lost in the world of philosophy and art if they hadn’t existed.

The United States, Britain, and the other Allies might have lost World War II because Alan Turing, a gay British mathematician, would never have been born. Turing broke one of the Nazis’ most important codes to help shorten the war. African-Americans might have struggled longer before receiving civil rights because there would have been no Bayard Rustin, the gay man who organized the 1963 March on Washington. This the march where Dr. Martin Luther King, Jr., made his famous “I Have a Dream” speech.

Our musical world would have been impoverished because gay American composer Aaron Copeland would have never been born. Russian composer Peter Ilyich Tchaikovsky would not have existed, neither would have Leonard Bernstein, English composer Benjamin Britten, or singers Bessie Smith, Melissa Etheridge, or Elton John. Katherine Bates would have never written “America the Beautiful.” We would have also missed the folk songs of Stephen Foster or the clever compositions of Cole Porter.

Do you like the plays Our Town, The Glass Menagerie, A Streetcar Named Desire, Cat on a Hot Tin Roof, Who’s Afraid of Virginia Woolf, The Importance of Being Earnest, and Breakfast at Tiffany’s? None of these would have been written. Their authors were all gay.

At times it seems as if some people would prefer a world where no lesbians or gays existed. But what would that world really look like? Above is just a small look at what the world might have been like if it had never included people who were homosexual or had a significant homosexual relationship in life. It would be difficult to envision or recognize a civilized world without the contributions of gays and lesbians.  It would no doubt be a bleak and boring place devoid of much of the art, architecture, philosophy, and much of the wonderful heritage of humanity.  None of the above even begins to include fashion and beauty, what an ugly world we would live in.


Self-Reliance

The high school English class that I teach has been learning about the transcendentalist movement.  Yesterday, we read excerpts from Ralph Waldo Emerson’s essay “Self-Reliance.”  This essay really spoke to me, and so I have included some excepts from the essay below.  When I first read this essay, I was not yet out of the closet, and it did not mean as much to me then as it does now.  Emerson may actually be speaking more directly to the GLBT community than we realize. There is some evidence that Ralph Waldo Emerson was bisexual. Emerson may have had erotic thoughts about at least one man. During his early years at Harvard, he said he was “strangely attracted” to a young man named Martin Gay, about whom he wrote sexual poetry. Nathaniel Hawthorne was also purportedly one of his infatuations.

Emerson is the seminal intellectual, philosophical voice of the nineteenth century in America. Although readers today may find his thought slightly facile, even unrealistic–times do change–his influence among his contemporaries and those who followed immediately after him was enormous. Emerson was the spokesman for the American Transcendentalists, a group of New England romantic writers, which included Thoreau, who believed that intuition was the means to truth, that god is revealed through intuition to each individual. They celebrated the independent individual and strongly supported democracy. The essay “Self-Reliance,” from which an excerpt is presented here, is the clearest, most memorable example of Emerson’s philosophy of individualism, an idea that is deeply embedded in American culture. His variety of individualism grows of the self’s intuitive connection with the Over-Soul and is not simply a matter of self-centered assertion or immature narcissism

Consider what Emerson says about the importance of non-conformity and independent beliefs and contrast this with the prevailing attitude in contemporary America.  With so much discussion of bullying in schools, this essay should be, and in most textbooks is, essential reading.  It teaches us that we should be ourselves, not the conforming sheep that bullies try to push us into.  Emerson is telling us to trust ourselves, because it is us alone that can overcome the bullies of the world.  With the rate of GLBT youth suicides and bullycide going on in American schools, we should realize that it will get better and that we should be proud to be ourselves.

There is a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better, for worse, as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given to him to till. The power which resides in him is new in nature, and none but he knows what that is which he can do, nor does he know until he has tried. Not for nothing one face, one character, one fact, makes much impression on him, and another none. This sculpture in the memory is not without preëstablished harmony. The eye was placed where one ray should fall, that it might testify of that particular ray. We but half express ourselves, and are ashamed of that divine idea which each of us represents. It may be safely trusted as proportionate and of good issues, so it be faithfully imparted, but God will not have his work made manifest by cowards. A man is relieved and gay when he has put his heart into his work and done his best; but what he has said or done otherwise, shall give him no peace. It is a deliverance which does not deliver. In the attempt his genius deserts him; no muse befriends; no invention, no hope.
Trust thyself: every heart vibrates to that iron string. Accept the place the divine providence has found for you, the society of your contemporaries, the connection of events. Great men have always done so, and confided themselves childlike to the genius of their age, betraying their perception that the absolutely trustworthy was seated at their heart, working through their hands, predominating in all their being. And we are now men, and must accept in the highest mind the same transcendent destiny; and not minors and invalids in a protected corner, not cowards fleeing before a revolution, but guides, redeemers, and benefactors, obeying the Almighty effort, and advancing on Chaos and the Dark….
These are the voices which we hear in solitude, but they grow faint and inaudible as we enter into the world.Society everywhere is in conspiracy against the manhood of every one of its members. Society is a joint-stock company, in which the members agree, for the better securing of his bread to each shareholder, to surrender the liberty and culture of the eater. The virtue in most request is conformity. Self-reliance is its aversion. It loves not realities and creators, but names and customs.
For nonconformity the world whips you with its displeasure. And therefore a man must know how to estimate a sour face. The by-standers look askance on him in the public street or in the friend’s parlour. If this aversation had its origin in contempt and resistance like his own, he might well go home with a sad countenance; but the sour faces of the multitude, like their sweet faces, have no deep cause, but are put on and off as the wind blows and a newspaper directs. Yet is the discontent of the multitude more formidable than that of the senate and the college. It is easy enough for a firm man who knows the world to brook the rage of the cultivated classes. Their rage is decorous and prudent, for they are timid as being very vulnerable themselves. But when to their feminine rage the indignation of the people is added, when the ignorant and the poor are aroused, when the unintelligent brute force that lies at the bottom of society is made to growl and mow, it needs the habit of magnanimity and religion to treat it godlike as a trifle of no concernment….
A foolish consistency is the hobgoblin of little minds, adored by little statesmen and philosophers and divines. With consistency a great soul has simply nothing to do. He may as well concern himself with his shadow on the wall. Speak what you think now in hard words, and to-morrow speak what to-morrow thinks in hard words again, though it contradict every thing you said to-day.–‘Ah, so you shall be sure to be misunderstood.’–Is it so bad, then, to be misunderstood? Pythagoras was misunderstood, and Socrates, and Jesus, and Luther, and Copernicus, and Galileo, and Newton, and every pure and wise spirit that ever took flesh. To be great is to be misunderstood.
I suppose no man can violate his nature. All the sallies of his will are rounded in by the law of his being, as the inequalities of Andes and Himmaleh are insignificant in the curve of the sphere. Nor does it matter how you gauge and try him. A character is like an acrostic or Alexandrian stanza;–read it forward, backward, or across, it still spells the same thing. In this pleasing, contrite wood-life which God allows me, let me record day by day my honest thought without prospect or retrospect, and, I cannot doubt, it will be found symmetrical, though I mean it not, and see it not. My book should smell of pines and resound with the hum of insects. The swallow over my window should interweave that thread or straw he carries in his bill into my web also. We pass for what we are. Character teaches above our wills. Men imagine that they communicate their virtue or vice only by overt actions, and do not see that virtue or vice emit a breath every moment.
Let a man then know his worth, and keep things under his feet. Let him not peep or steal, or skulk up and down with the air of a charity-boy, a bastard, or an interloper, in the world which exists for him. But the man in the street, finding no worth in himself which corresponds to the force which built a tower or sculptured a marble god, feels poor when he looks on these. To him a palace, a statue, or a costly book have an alien and forbidding air, much like a gay equipage, and seem to say like that, ‘Who are you, Sir?’ Yet they all are his, suitors for his notice, petitioners to his faculties that they will come out and take possession. The picture waits for my verdict: it is not to command me, but I am to settle its claims to praise. That popular fable of the sot who was picked up dead drunk in the street, carried to the duke’s house, washed and dressed and laid in the duke’s bed, and, on his waking, treated with all obsequious ceremony like the duke, and assured that he had been insane, owes its popularity to the fact, that it symbolizes so well the state of man, who is in the world a sort of sot, but now and then wakes up, exercises his reason, and finds himself a true prince….
It is easy to see that a greater self-reliance must work a revolution in all the offices and relations of men; in their religion; in their education; in their pursuits; their modes of living; their association; in their property; in their speculative views.

Emerson’s “Self-Reliance” teaches us to trust ourselves. By ourselves, we have unique voices and opinions, which society shuts down as soon as we confront other people and the group. Society’s primary concern is creating wealth and status, while the individual’s concern is self-expression and fulfillment. We want to take life slow, savor every moment, express ourselves, and explore many talents and skills. Society wants us to be big shots, put all our education towards one career, weed out our competitors to become successful, and make more money than we could ever need. But since society’s goal’s are so ingrained inside us, we must learn to trust our own instincts as to what society tells us.

Emerson states that in solitude, individuals have voices, “which grow faint and inaudible as we enter the world.” Some of these thoughts and opinions that people come up with in solitude might cause fear when presented to society. Since society is such a delicate structure based on fear of chaos, any novel voice will make the person who spoke it become “the other.” Fear of alienation prevents voices from leaving solitude into the realm of society.

Emerson states that individuals who work hard and pursue fulfillment should not be proud of the possessions they acquired. He says, “a cultivated man becomes ashamed of his property, ashamed of what he has, out of respect for his own being,” meaning that acquiring property is just an accident. If you trust yourself and work towards the proper development of yourself by discovery of your innermost talents, then you should not accept society’s false reward of property. An ordinary person doing his best work is just as valuable as the “great” lives of kings and royalty. The greatest reward is knowing that you have found your own unique self, and fully trust it.

Fulfillment verses success, self expression verses conformity, and solitude verses the group are important factors to distinguish. Emerson in “Self-Reliance” is not advocating staying in solitude, because humans are social beings. Rather he wants us to discover ourselves away from society, and then confront society as our fulfilled and cultivated selfs. In reality, the wealth power structure of society is just a response to fear of our chaotic world, and if we just embrace this chaos, we might be more fulfilled, happy people. Trust yourself. Learn to let go.

Sources:


Tomorrow Is Coming Out Day!

Whether you’re lesbian, gay, bisexual, transgender or a straight ally, be proud of who you are and your support for LGBT equality this Coming Out Day!

In the Beginning, There Was a March

On Oct. 11, 1987, half a million people participated in the March on Washington for Lesbian and Gay Rights. It was the second such demonstration in our nation’s capital and resulted in the founding of a number of LGBT organizations, including the National Latino/a Gay & Lesbian Organization (LLEGÓ) and AT&T’s LGBT employee group, LEAGUE. The momentum continued four months after this extraordinary march as more than 100 lesbian, gay, bisexual and transgender activists from around the country gathered in Manassas, Va., about 25 miles outside Washington, D.C. Recognizing that the LGBT community often reacted defensively to anti-gay actions, they came up with the idea of a national day to celebrate coming out and chose the anniversary of that second march on Washington to mark it. The originators of the idea were Rob Eichberg, a founder of the personal growth workshop, The Experience, and Jean O’Leary, then head of National Gay Rights Advocates. From this idea the National Coming Out Day was born.

To this day National Coming Out Day (NCOD) continues to promote a safe world for LGBT individuals to live truthfully and openly.

The People of NCOD

The success of NCOD, which from inception quickly expanded to include participation from all 50 states and foreign countries, is because of the hard work of celebrities, volunteers and activists.

  • Rob Eichberg and Jean O’Leary were the originators of the idea of NCOD
  • Sean Strub and Keith Haring- In 1987, Activist Sean Strub got Haring to donate his now-famous image of a person fairly dancing out of a closet
  • Lynn Shepodd – In 1990, Shepodd, who later became a member of HRC’s Board of Governors, was hired as executive director and obtained tax-exempt status for the organization
  • Geraldo Rivera- In 1991, Geraldo Rivera hosted a coming out day TV program that featured Dick Sargent, a gay actor famous for playing Darren on Bewitched, openly gay California Assemblywoman Sheila Kuehl and Eichberg.
  • Wes Combs in 1994 was named HRCF’s project director for National Coming Out Day
  • Candace Gingrich, half-sister of then-House Speaker Newt Gingrich, became a National Coming Out Project spokesperson and full-time activist in 1995
  • Dan Butler, who played the character Bulldog on NBC-TV’s Frasier, was NCOD spokeperson in 1995
  • Rock musician Melissa Etheridge did a radio public service announcement, reminding people that “Labels belong on records, not on people.”
  • Del. Eleanor Holmes Norton, D-D.C., spoke at the “Come Out Voting” rally in Washington, D.C., Oct. 11, 1996.
  • Fashion photographer Don Flood in 1996 shot past spokespeople Bearse, Butler and Gingrich, along with Olympic diver Greg Louganis, actor Mitchell Anderson, newly minted gay activist Chastity Bono and Sean Sasser, who had appeared in MTV’s The Real World.
  • In 1996, actress Judith Light, pro golfer Muffin Spencer-Devlin and, in her first appearance at a gay rights event, Cher spoke at a Come Out Voting rally in Washington, DC
  • In September 1997 the project brought in its first straight spokesperson, Betty DeGeneres, mother of actress/comedian Ellen DeGeneres.
  • Patrick Bristow (formerly of the Ellen TV show), Dan Butler, San Francisco Supervisor Mark Leno, longtime activist Donna Red Wing, Betty DeGeneres, Gingrich and SF Mayor Willie Brown were featured in a 1998 NCOD event in San Francisco’s Delores Park
  • Chicago-native and founding member of the rock group Styx Chuck Panozzo celebrated a special homecoming in 2001 when he came out at the Human Rights Campaign annual Chicago dinner.
  • On National Coming Out Day, Oct. 11, 2002, a benefit CD featuring the songs of openly LGBT musicians and straight allies was released. Cyndi Lauper, Queen, k.d. lang, Jade Esteban Estrada and Sarah McLachlan are among the artists who donated songs to the album.
  • Etheridge’s name appears on a poster celebrating the 2002 theme along with 18 other openly LGBT artists, including Ani DiFranco, Michael Stipe, the Indigo Girls, RuPaul, Rufus Wainwright and The Butchies

Living Openly

However you identify, HRC and its Coming Out Project hope these guides help you meet the challenges and opportunities that living openly offers to each of us:

Find coming out guides and other resources

Are You a Straight Ally?

Check out A Straight Guide to LGBT Americans to learn about the emotional spectrum that people typically feel after someone comes out to them and find easy ways to learn more and demonstrate your support for LGBT Americans and equality.

Download the guide


Phallus Impudicus: The Shameless Phallus

With Gay American History, Jonathan Ned Katz published the first book of documents relating to homosexuality in American history. This fascinating and compendious source ranges from the sixteenth century up to present times; its texts include everything from denunciations of sodomy in colonial America to modern protests against homosexual persecution.  By demonstrating the important presence of same-sex desires, friendships, and sexual practices throughout Western history, this book was crucial in opening up new fields for investigation.

Jonathan Katz’s Gay American History: Lesbians and Gay Men in the U.S.A. uses this illustration drawn by Henry David Thoreau of “Phallus impudicus” (the shameless phallus), among excerpts from Thoreau’s letters about his reaction after reading Whitman’s Leaves of Grass: “It is as if the beasts spoke. I think that men have not been ashamed of themselves without reason.”

I would love to be able to see this document myself and analyze it’s content; however, this picture of the “Phallus impudicus” drawing is not clear enough to tell much about it. This same drawing does appear in Thoreau’s Garden by H. Peter Loewer. In this volume, we can learn more about ferns and berries, goldenrods and grasses. More relevant to this post, readers can even get a glimpse of the “disgusting … yet very suggestive” fungus (Phallus impudicus) that Thoreau railed about in October 1856, pondering “Pray, what was Nature thinking of when she made this? She almost puts herself on a level with those who draw in privies.” Loewer used as his reference the index in the Dover two-volume reprint of Thoreau’s Journals, which is somewhat incomplete.

The question I pose is this:  Is Thoreau chronicling the plants in his garden, or is he presenting a critique of Whitman’s Leaves of Grass?  It is a question I would love to ponder further along with the relevant documents.


Ode to Walt Whitman

Eakins was profoundly influenced by the ideas of Walt Whitman, with whom he became close friends, after painting his portrait in 1887-1888. Eakins’ carefully composed images of naked youths in arcadian landscape settings (such as The Swimming Hole, 1893-1895) constitute visual equivalents of Whitman’s poems, celebrating male beauty and comradeship. Eakins often painted scenes of all-male athletic activities, such as rowing (for example, The Biglin Brothers Turning the Stake, 1873) and boxing (for example, Counting Out, 1888).

Ode to Walt Whitman
by Federico Garcia Lorca

By the East River and the Bronx
boys were singing, exposing their waists
with the wheel, with oil, leather, and the hammer.
Ninety thousand miners taking silver from the rocks
and children drawing stairs and perspectives.

But none of them could sleep,
none of them wanted to be the river,
none of them loved the huge leaves
or the shoreline’s blue tongue.

By the East River and the Queensboro
boys were battling with industry
and the Jews sold to the river faun
the rose of circumcision,
and over bridges and rooftops, the mouth of the sky emptied
herds of bison driven by the wind.

But none of them paused,
none of them wanted to be a cloud,
none of them looked for ferns
or the yellow wheel of a tambourine.

As soon as the moon rises
the pulleys will spin to alter the sky;
a border of needles will besiege memory
and the coffins will bear away those who don’t work.

New York, mire,
New York, mire and death.
What angel is hidden in your cheek?
Whose perfect voice will sing the truths of wheat?
Who, the terrible dream of your stained anemones?

Not for a moment, Walt Whitman, lovely old man,
have I failed to see your beard full of butterflies,
nor your corduroy shoulders frayed by the moon,
nor your thighs pure as Apollo’s,
nor your voice like a column of ash,
old man, beautiful as the mist,
you moaned like a bird
with its sex pierced by a needle.
Enemy of the satyr,
enemy of the vine,
and lover of bodies beneath rough cloth…

Not for a moment, virile beauty,
who among mountains of coal, billboards, and railroads,
dreamed of becoming a river and sleeping like a river
with that comrade who would place in your breast
the small ache of an ignorant leopard.

Not for a moment, Adam of blood, Macho,
man alone at sea, Walt Whitman, lovely old man,
because on penthouse roofs,
gathered at bars,
emerging in bunches from the sewers,
trembling between the legs of chauffeurs,
or spinning on dance floors wet with absinthe,
the faggots, Walt Whitman, point you out.

He’s one, too! That’s right! And they land
on your luminous chaste beard,
blonds from the north, blacks from the sands,
crowds of howls and gestures,
like cats or like snakes,
the faggots, Walt Whitman, the faggots,
clouded with tears, flesh for the whip,
the boot, or the teeth of the lion tamers.

He’s one, too! That’s right! Stained fingers
point to the shore of your dream
when a friend eats your apple
with a slight taste of gasoline
and the sun sings in the navels
of boys who play under bridges.

But you didn’t look for scratched eyes,
nor the darkest swamp where someone submerges children,
nor frozen saliva,
nor the curves slit open like a toad’s belly
that the faggots wear in cars and on terraces
while the moon lashes them on the street corners of terror.

You looked for a naked body like a river.
Bull and dream who would join wheel with seaweed,
father of your agony, camellia of your death,
who would groan in the blaze of your hidden equator.

Because it’s all right if a man doesn’t look for his delight
in tomorrow morning’s jungle of blood.
The sky has shores where life is avoided
and there are bodies that shouldn’t repeat themselves in the dawn.

Agony, agony, dream, ferment, and dream.
This is the world, my friend, agony, agony.
Bodies decompose beneath the city clocks,
war passes by in tears, followed by a million gray rats,
the rich give their mistresses
small illuminated dying things,
and life is neither noble, nor good, nor sacred.

Man is able, if he wishes, to guide his desire
through a vein of coral or a heavenly naked body.
Tomorrow, loves will become stones, and Time
a breeze that drowses in the branches.

That’s why I don’t raise my voice, old Walt Whitman,
against the little boy who writes
the name of a girl on his pillow,
nor against the boy who dresses as a bride
in the darkness of the wardrobe,
nor against the solitary men in casinos
who drink prostitution’s water with revulsion,
nor against the men with that green look in their eyes
who love other men and burn their lips in silence.

But yes against you, urban faggots,
tumescent flesh and unclean thoughts.
Mothers of mud. Harpies. Sleepless enemies
of the love that bestows crowns of joy.

Always against you, who give boys
drops of foul death with bitter poison.
Always against you,
Fairies of North America,
Pájaros of Havana,
Jotos of Mexico,
Sarasas of Cádiz,
Apios of Seville,
Cancos of Madrid,
Floras of Alicante,
Adelaidas of Portugal.

Faggots of the world, murderers of doves!
Slaves of women. Their bedroom bitches.
Opening in public squares like feverish fans
or ambushed in rigid hemlock landscapes.

No quarter given! Death
spills from your eyes
and gathers gray flowers at the mire’s edge.
No quarter given! Attention!
Let the confused, the pure,
the classical, the celebrated, the supplicants
close the doors of the bacchanal to you.

And you, lovely Walt Whitman, stay asleep on the Hudson’s banks
with your beard toward the pole, openhanded.
Soft clay or snow, your tongue calls for
comrades to keep watch over your unbodied gazelle.

Sleep on, nothing remains.
Dancing walls stir the prairies
and America drowns itself in machinery and lament.
I want the powerful air from the deepest night
to blow away flowers and inscriptions from the arch where you sleep,
and a black child to inform the gold-craving whites
that the kingdom of grain has arrived.

For more information and analysis of this poem, take a look at “Lorca’s Homographic Poetics of Nationalism” by Frederick Luis Aldama

Also see:

I would not consider this one of my favorite poems, but it is interesting in its own way. John K. Walsh speculates in his essay “Lorca’s Ode to Walt Whitman” that Lorca’s Cuban hiatus marked his “open passage into a homosexual mien, and the acknowledgment of his proclivities.”  As with most poetic coming outs, this is bold and expressive.

Moment of Zen: LGBT History Month

Today, October 1, 2011, begins LGBT History Month. LGBT History Month is a month-long annual observance of lesbian, gay, bisexual and transgender history, and the history of the gay rights and related civil rights movements. It is observed during October in the United States, to include National Coming Out Day on October 11.  This blog will, of course, be having a month long celebration of something that is near and dear to my own heart.

Background
In 1994, Rodney Wilson, a Missouri high school teacher, believed a month should be dedicated to the celebration and teaching of gay and lesbian history, and gathered other teachers and community leaders. They selected October because public schools are in session and existing traditions, such as Coming Out Day (October 11), occur that month.
Gay and Lesbian History Month was endorsed by GLAAD, the Human Rights Campaign, the National Gay and Lesbian Task Force, the National Education Association, and other national organizations. In 2006, Equality Forum assumed responsibility for providing content, promotion and resources for LGBT History Month.

Celebrate Our Heritage
The LGBT community is the only community worldwide that is not taught its history at home, in public schools or in religious institutions. LGBT History Month provides role models, builds community and makes the civil rights statement of our extraordinary national and international contributions.


A Sixty Year Romance

The picture above has a very interesting story attached to it.  However, because the story was originally published in the New York Times, I am not able to repost it here, but I urge you to check out the following link: On Carrie Bradshaw’s Block, Romance Over 6 Decades by Diane Cardwell.


Autumn Fires

Bonfires always remind me of fall: the big bonfire before the homecoming game, sitting around a bonfire telling stories, ghost stories around the campfire. All these things remind me of autumn.

In some parts of the world, bonfires are identified, not with autumn, but with the summer solstice. In Latvia, Midsummer is called Jāņi . It is a national holiday celebrated on a large scale by almost everyone in Latvia and by people of Latvian origin abroad. Celebrations consist of a lot of traditional elements – eating Jāņu cheese, drinking beer, singing hundreds of Latvian folk songs dedicated to Jāņi, burning bonfire to keep light all through the night and jumping over it, wearing wreaths of flowers (for the women) and leaves (for the men) together with modern commercial products and ideas. Oak wreaths are worn by men named Jānis in honor of their name day. Small oak branches with leaves are attached to cars in Latvia during the festivity.

In the western town of Kuldīga, revellers mark the holiday by running naked through the town at three in the morning. The event has taken place for the past seven years. Runners are rewarded with beer, and police are on hand in case any “puritans” attempt to interfere with the naked run.

I just never got the chance to run around them naked, what about you? Do bonfires remind you of autumn? Have you ever run around one naked.

Just as I think of bonfires and autumn together, the following poem by Robert Louis Stevenson is not what I usually associate with Stevenson. I usually associate stories of pirates and life at sea. However, this poem shows that there was much more to Robert Louis Stevenson.

Autumn Fires
Robert Louis Stevenson (1913)

In the other gardens
And all up the vale,
From the autumn bonfires
See the smoke trail!
Pleasant summer over
And all the summer flowers,
The red fire blazes,
The gray smoke towers.
Sing a song of seasons!
Something bright in all!
Flowers in the summer,
Fires in the fall!

More about Robert Louis Stevenson after the jump.

Robert Louis Stevenson
The Scottish novelist, essayist, and poet Robert Louis Stevenson (1850-1894) was one of the most popular and highly regarded British writers of the end of the 19th century. He played a significant part in the revival of the novel of romance.

During Robert Louis Stevenson’s youth the romantic novels of Sir Walter Scott and his followers had been eclipsed by the realism of William Makepeace Thackeray and Anthony Trollope. Writing in conscious opposition to this trend, Stevenson formulated his theoretical position in his essays “A Gossip on Romance” (1882), “A Humble Remonstrance” (1884), and “The Lantern-bearers” (1888). Romance, he wrote, is not concerned with objective truth but rather with things as they appear to the subjective imagination, with the “poetry of circumstance.” Romance, according to Stevenson, avoids complications of character and morality and dwells on action and adventure.

Stevenson was born on Nov. 13, 1850, in Edinburgh, the son of a noted lighthouse builder and harbor engineer. Though robust and healthy at birth, Stevenson soon became a victim of constant respiratory ailments that later developed into tuberculosis and made him skeletally thin and frail most of his life. By the time he entered Edinburgh University at the age of 16, ostensibly to study engineering, Stevenson had fallen under the spell of language and had begun to write. For several years he attended classes irregularly, cultivating a bohemian existence complete with long hair and velvet jackets and acquainting himself with Edinburgh’s lower depths.

Early Works

When he was 21 years old, Stevenson openly declared his intention of becoming a writer against the strong opposition of his father. Agreeing to study law as a compromise, Stevenson was admitted to the Scottish bar in 1875. Having traveled to the Continent several times for health and pleasure, he now swung back and forth between Scotland and a growing circle of artistic and literary friends in London and Paris. Stevenson’s first book, An Inland Voyage (1878), related his adventures during a canoe trip on the canals of Belgium and France.

In 1876 in France, Stevenson had met an American woman named Fanny Osbourne. Separated from her husband, she was 11 years older than Stevenson and had two children. Two years later Stevenson and Osbourne became lovers. In 1878 Osbourne returned to California to arrange a divorce, and a year later Stevenson followed her. After traveling across America in an emigrant train, Stevenson arrived in Monterey in poor health. After his marriage, a stay in an abandoned mining camp, later recounted in The Silverado Squatters (1883), restored his health. A year after setting out for the United States, Stevenson was back in Scotland. But the climate there proved impossible, and for the next 4 years he and his wife lived in Switzerland and in the south of France.

Despite ill health these years were productive. In his collections Virginibus puerisque (1881) and Familiar Studies of Men and Books (1882) Stevenson arrived at maturity as an essayist. Addressing his readers with confidential ease, he reflected on the common beliefs and incidents of life with a mild iconoclasm, a middling disillusionment.

The stories Stevenson collected in The New Arabian Nights (1883) and The Merry Men (1887) range from detective stories to Scottish dialect tales. The evocation of mood and setting that he practiced in his travel essays was used to great effect here. Despite his theory of romance, he was unable entirely to keep away from moral issues in these stories, but he was rarely successful in integrating moral viewpoint with action and scene.

Early Novels

Treasure Island (1881, 1883), first published as a serial in a children’s magazine, ranks as Stevenson’s first popular book, and it established his fame. A perfect romance according to Stevenson’s formula, the novel – riding over all the problems of morality and character that might have arisen – recounts a boy’s involvement with murderous pirates. Kidnapped (1886), set in Scotland shortly after the abortive Jacobite rebellion of 1745, has the same charm. In its sequel, David Balfour (1893), Stevenson could not avoid psychological and moral problems without marked strain. In The Strange Case of Dr. Jekyll and Mr. Hyde (1886) he dealt directly with the nature of evil in man and the hideous effects of a hypocrisy that seeks to deny it. This work pointed the way toward Stevenson’s more serious later novels. During this same period he published a very popular collection of poetry, A Child’s Garden of Verses (1885).

After the death of his father in 1887, Stevenson again traveled to the United States, this time for his health. He lived for a year at Saranac Lake, N.Y., in the Adirondacks. In 1889 Stevenson and his family set out on a cruise of the South Sea Islands. When it became clear that only there could he live in relative good health, he settled on the island of Upolu in Samoa. He bought a plantation (Vailima), built a house, and gained influence with the natives, who called him Tusifala (“teller of tales”). By the time of his death on Dec. 3, 1894, Stevenson had become a significant figure in island affairs. His observations on Samoan life were published in the collection In the South Seas (1896) and in A Footnote to History (1892). Of the stories written in these years, “The Beach of Falesá” in Island Nights’ Entertainments (1893) remains particularly interesting as an exploration of the confrontation between European and native ways of life.

Later Novels

The Master of Ballantrae (1889), set in the same period as Kidnapped, showed a new sophistication in Stevenson’s use of the elements of romance. Its basic theme involved complexities of character that his earlier romances had deliberately avoided. In the more advanced Weir of Hermiston, the legends of the romantic Scottish past saturate the setting and serve as a symbolic background for a tragic conflict between the primitive energies of a father and his sensitive, effete son. Left unfinished at his death, this novel would have ranked as Stevenson’s greatest work. While living in the South Pacific, Stevenson also collaborated on three novels with his stepson Lloyd Osbourne.

Further Reading

The best biographies of Stevenson are David Daiches, Robert Louis Stevenson (1947), and Joseph C. Furnas, Voyage to Windward: The Life of Robert Louis Stevenson (1951). Recommended critical studies include David Daiches, Stevenson and the Art of Fiction (1951); Robert Kiely, Robert Louis Stevenson and the Fiction of Adventure (1964), and Edwin M. Eigner, Robert Louis Stevenson and Romantic Tradition (1966).

Additional Sources

  • Bell, Ian, Dreams of exile: Robert Louis Stevenson, a biography, New York: H. Holt, 1993.
  • Hammond, J. R. (John R.), A Robert Louis Stevenson chronology, New York: St. Martin’s Press, 1996.
  • McLynn, F. J., Robert Louis Stevenson: a biography, New York:Random House, 1994.

Read more: http://www.answers.com/topic/robert-louis-stevenson#ixzz1Z0zi30n4


After Apple-Picking

After Apple-Picking


My long two-pointed ladder’s sticking through a tree
Toward heaven still,
And there’s a barrel that I didn’t fill
Beside it, and there may be two or three
Apples I didn’t pick upon some bough.
But I am done with apple-picking now.
Essence of winter sleep is on the night,
The scent of apples: I am drowsing off.
I cannot rub the strangeness from my sight
I got from looking through a pane of glass
I skimmed this morning from the drinking trough
And held against the world of hoary grass.
It melted, and I let it fall and break.
But I was well
Upon my way to sleep before it fell,
And I could tell
What form my dreaming was about to take.
Magnified apples appear and disappear,
Stem end and blossom end,
And every fleck of russet showing clear.
My instep arch not only keeps the ache,
It keeps the pressure of a ladder-round.
I feel the ladder sway as the boughs bend.

And I keep hearing from the cellar bin
The rumbling sound
Of load on load of apples coming in.
For I have had too much
Of apple-picking: I am overtired
Of the great harvest I myself desired.
There were ten thousand thousand fruit to touch,
Cherish in hand, lift down, and not let fall.
For all
That struck the earth,
No matter if not bruised or spiked with stubble,
Went surely to the cider-apple heap
As of no worth.
One can see what will trouble
This sleep of mine, whatever sleep it is.
Were he not gone,
The woodchuck could say whether it’s like his
Long sleep, as I describe its coming on,
Or just some human sleep.
–Robert Frost (1914)

Born in San Francisco, Frost spent most of his adult life in rural New England and his laconic language and emphasis on individualism in his poetry reflect this region. He attended Dartmouth and Harvard but never earned a degree, and as a young man with growing family he attempted to write poetry while working a farm or teaching school. American editors rejected his submitted poems. With considerable pluck Frost moved his family to England in 1912 and the following year a London publisher brought out his first book. After publishing a second book, Frost returned to America determined to win a reputation in his own country, which he gradually achieved, becoming one of the country’s best-loved poets. Unlike his contemporaries, Frost chose not to experiment with new verse forms but to employ traditional patterns, or as he said, he chose “the old-fashioned way to be new.” Despite the surface cheerfulness and descriptive accuracy of his poems, he often presents a dark, sober vision of life, and there is a decidedly thoughtful quality to his work.
In the poem above we see how, like Wordsworth, Frost takes an ordinary experience and transforms it into a meditative moment, a philosophical musing. Apple-picking slides gradually away from merely harvesting fruit to considering how life has been experienced fully but with some regrets and mistakes. The reference to winter coming on feels like the presence of mortalilty. The question about what kind of sleep to anticipate suggests untroubled oblivion or possibly some kind of new life just as the woodchuck reawakens to fresh life in the spring after his hibernation.


Sexual Freedom Day

Celebrate with The Woodhull Sexual Freedom Alliance and Federation in Washington, DC

September 23, 2011, is the 173rd birthday of the Woodhull Freedom Foundation’s namesake, Victoria Woodhull. Every year on this day, Sexual Freedom advocates gather to learn, share ideas and celebrate the sexual freedom movement’s big day!

This year, the WFF focuses on freedom of sexual speech and expression is highlighted in their educational program, “Sexual Outlaws: The Prohibition of Pleasure.” WFF hopes you will join them to find out more about the war on sex and why right now is a crucial time for advocates of sexual freedom. WFF has already confirmed human rights leaders, academics, community advocates, writers, educators and performers and the WFF hopes they can count you in as well!

After the exciting afternoon of Sexual Freedom panels and discussions at the Pew Charitable Foundation Conference Center, WFF will be moving to the Hamilton Crowne Plaza for a Sexual Freedom Gala, a cocktail reception, fabulous raffles, an awards ceremony hosted by Carol Queen and Nina Hartley, and the fun and fabulous Pamala Stanley whose unparalleled voice encompasses everything from the most intimate whisper to the soaring “bel canto” that is her trademark.

Event Schedule

  • 1-5 p.m. “Sexual Outlaws: The Prohibition of Pleasure” Panel Discussion (PEW Conference Center)
  • 6-7 p.m. VIP Cocktail Reception (Hamilton Crowne Plaza)
  • 7-7:30 p.m. Cocktail Reception (Hamilton Crowne Plaza)
  • 7:30-10 p.m. Sexual Freedom Gala and Awards Ceremony hosted by Carol Queen and Nina Hartley with entertainment by the fabulous Pamala Stanley! (Hamilton Crowne Plaza)

Full schedule and event details here

About Victoria Woodhull

by Barbara Goldsmith

Recently, when I mentioned to a friend that the title of my book was Other Powers – The Age of Suffrage, Spiritualism and the Scandalous Victoria Woodhull, she asked: “Just who was Victoria Woodhull anyway?” It seems a simple question, but Victoria was not a simple person. She was conceived in 1837, during the frenzy of a religious revival in Homer, Ohio. Her father was an itinerant con man and a thief; her mother was illegitimate, illiterate and a religious fanatic. As a child, Victoria was raised in filth and squalor, beaten and starved, given little education and exploited in her father’s traveling carnival show as a clairvoyant and fortune-teller. Unexpectedly, she demonstrated such powers as accurately recalling past events and predicting future ones, finding missing objects and people, and affecting cures. She also relayed messages from loved ones who had “passed over.”

From childhood, Victoria maintained that she was guided and protected by the spirits, who occasionally let her visit a utopian world in heaven unlike the chaotic, miserable world in which she lived. Like Joan of Arc, she listened to voices that told her she would rise from poverty one day to become “ruler of the nation.” At 15, in order to escape her father’s brutality, Victoria eloped with an alcoholic doctor who fathered a retarded son and so botched the delivery of their daughter that the baby nearly bled to death. After five years, Victoria left him and struck out on her own. Eventually, her belief in the spirits enabled her to form alliances with such powerful men as Commodore Cornelius Vanderbilt, to become the first woman to own a Wall Street investment firm, to found her own newspaper, to speak before Congress demanding that women be given the vote and finally, to run for U.S. President in 1872 against the popular incumbent, Ulysses S. Grant, and the powerful newspaperman, Horace Greeley. In short, she set America on its ear.

In the decade that it took to write my book, I came to know Victoria Woodhull well, and she taught me a great many lessons – not the least of which was that the common wisdom on most subjects is frequently wrong. She made me realize that people must always think for themselves and never accept circumstances that seem unfair, unkind or uncomfortable.

Of course, Victoria’s time was a much more difficult one for women, who then had almost no rights to property or person. If a married woman worked, her wages were given directly to her husband. She could not dispose of her property upon death. If she divorced, she automatically forfeited custody of her children. Women could not enter universities, law schools or medical schools. They could not serve on juries, and they could not vote.

Most significantly, women had no control over their own bodies: There were no laws to protect them from physical abuse at the hands of their husbands or fathers, although some states stipulated the size of the objects that might be used to inflict discipline. They had no right to deny their husbands sexual access. The professions open to women were few: domestic drudgery, factory work, teaching, prostitution and, for the exceptional few, writing.

Men were allowed all means of sexual license, but a woman who committed adultery was subject to a jail sentence. In 1868, from the lecture platform, Victoria Woodhull boldly instructed women to demand a single sexual standard and not to accept the view that sexual desire in females was vulgar. “What! Vulgar!” she said. “The instinct that creates immortal souls vulgar…be honest…it is not the possession of strong powers that is to be deprecated. They are that necessary part of human character.”

Victoria preached a doctrine called “Free Love” that included the odd notion of marrying for love, as well as an easement of the divorce laws. She was radical even by today’s standards, asserting: “Women are entirely unaware of their power. Like an elephant led by a string, they are subordinated by just those who are most interested in holding them in slavery…Sexual freedom means the abolition of prostitution both in and out of marriage, means the emancipation of woman and her coming into control of her own body, means the end of her pecuniary dependence upon man…means the abrogation of forced pregnancy, of anti-natal murder of undesired children and the birth of love children only.” Ideas stated in the extreme make one think and question and argue, and that was what Victoria accomplished.

Victoria Woodhull was a fervent Spiritualist who searched for meaning in a society not so different from our own, in that most people felt overwhelmed by financial manipulations and technical achievements they could not comprehend. They felt they had little control over their own destinies. Women, in particular – even the strongest – desperately needed the courage to combat the criticism and isolation they felt in the battle for their most basic rights. Victoria’s belief in spirit guidance empowered her and her followers to challenge the law, the church and the entrenched male establishment.

Victoria’s spiritualism usually is dismissed as a fad by historians, but in studying her, I realized that many of her beliefs were a utopian version of what people already accepted. For example, the Spiritualists’ conviction that the dead can guide us did not differ radically from the view of the regular clergy. Even today, when our loved ones die, clergymen tell us that they are not gone – that they are with us still in thought and deed, that they are always by our side. Victoria’s friend, Isabella Beecher Hooker, summed it up when she wrote: “I know she [Victoria Woodhull] has visions and is inspired by spiritual influences, but her inspiration seems very like my own, a simple reliance on a Heavenly Father.”

Victoria demonstrated that a belief in oneself gives us the strength to accomplish a great deal. She was a pioneer in many things we think about today: diet, exercise, comfort in dress. In her day, many people ate seven-course dinners accompanied by liquor and wine, but Victoria adhered to the diet prescribed by Sylvester Graham (known for the tasty, ginger-colored crackers that still bear his name). Graham had been a sickly child and cured himself through proper diet. He recommended no alcohol, caffeine, meat, lard or other types of shortening.

Women of the day were thought desirable if they were languorous and frail, but Victoria advocated vigorous exercise, rode horseback and walked at least three miles a day. She said that drinking at least two pints of water a day and eating fresh fruit were accountable for her good health and vigor.

Whenever I see a woman tottering about on 5-inch stiletto heels, I have a fantasy that Victoria is walking down the street in her sensible boots and says to her, “My dear young girl, you are ruining your health and risking a terrible accident.” Women’s clothes in her time cinched in the waist so tightly that organs were often displaced. The dresses were so heavy that women moved like hobbled horses. Not Victoria. She often wore men’s clothing and urged other women to do the same.

While male physicians did not examine female bodies, they nonetheless prescribed morphine, isolation, purging, bloodletting and starvation as cures for most female ills. Victoria, on the other hand, embraced a benign alternative medicine. She practiced homeopathy, a treatment begun by Dr. Samuel Hahnemann, who took a minuscule amount of a disease-causing agent and diluted it with liquid to create what he called a “spiritlike essence.” Dr. Hahnemann believed that when this substance was introduced into the body, the person would be cured of the disease. Victoria was also a well-known “magnetic healer.” The use of therapeutic magnets dates to the ancient Greeks, who used them to halt bleeding, soothe inflammation, purge infection and promote general healing. The theory is that the magnets themselves do not heal, but induce the body to heal itself. Many of the medical treatments in which Woodhull believed are becoming increasingly popular today, as is the conviction that we are participants in our own good health and medical treatment.

Because Victoria Woodhull shocked and astounded and antagonized, a campaign was organized to bring her down. She was jailed repeatedly on charges of publishing pornography, and the press depicted her as “Mrs. Satan” and “The Prostitute Who Ran for President.” But, in truth, she was a woman who lived a century before her time. The lessons she taught – to question, to be honest, to believe in your power, to value your mind and body, to fight for what is right – are all lessons for today.