Category Archives: Movie Review

Goodbye, Elizabeth Taylor

alizElizabeth Taylor, the legendary actress famed for her beauty, her jet-set lifestyle, her charitable endeavors and her many marriages, died this morning. She was 79.

Taylor died “peacefully today in Cedars-Sinai Hospital in Los Angeles,” said a statement from her publicist. She was hospitalized six weeks ago with congestive heart failure, “a condition with which she had struggled for many years. Though she had recently suffered a number of complications, her condition had stabilized and it was hoped that she would be able to return home. Sadly, this was not to be.”

Taylor starred in Tennessee Williams’ classic, Cat on a Hot Tin Roof as Maggie the Cat in late February 1958. cat_on_a_hot_tin_roofNot only is Tennessee Williams one of my favorite playwrights, this is one of my favorite plays. When Taylor made the movie, she was straight from a trip around the world, she was happily married to Mike Todd and was the mother of three very small children under the age of 5. It looked as though she was going to retire from her contractual obligations at MGM Studio’s and work exclusively for Mike Todd. Life seemed perfect. Too perfect. Three weeks after production began, Mike Todd was tragically killed in a plane crash and Elizabeth Taylor’s world fell apart. His death caused such a tear in her life that it would take four years to mend. Elizabeth Taylor’s performance in Cat on a Hot Tin Roof is one of her finest. She garnered her second Academy Award nomination. She literally threw herself into her work as detraction from her tragedy. Her role boiled with subdued and expressed emotion.

Cat on a Hot Tin Roof was not the only Tennessee Williams play that Taylor made into a movie.  She also acted in Suddenly Last Summer.  Both plays deal with gay men and the trials and tribulations they dealt with during William’s lifetime.  l_53318_fde66d34Williams himself was gay and often, homosexuality was a subtest of his plays.  Paul Newman’s character in Cat on a Hot Tin Roof never recovered from the love he had for a boyhood friend, which frustrates Taylor’s character Maggie.  In Suddenly, Last Summer, Taylor played Catharine Holly, a young woman who seems to go insane after her cousin Sebastian dies on a trip to Europe under mysterious circumstances. Sebastian’s mother, Violet Venable, trying to cloud the truth about her son’s homosexuality and death, threatens to lobotomize Catharine for her incoherent utterances relating to Sebastian’s demise. Finally, under the influence of a truth serum, Catharine tells the gruesome story of Sebastian’s death by cannibalism at the hand of local boys whose sexual favors he sought, using Catharine as a device to attract the young men (as he had earlier used his mother). The clip below features Taylor and Montgomery Clift, who happened to be Taylor’s best gay friend and a marvelous actor.

After her acting career faded, she devoted herself to charity. In 1985, she organized a benefit dinner to raise money for her friend Rock Hudson, who was dying of AIDS. The project eventually led to the American Foundation for AIDS Research (amFAR); in 1991, she began the Elizabeth Taylor HIV/AIDS Foundation. “The Elizabeth Taylor AIDS Foundation” funds programs and organization that give direct care to the population of millions affected with HIV/AIDS,whether it is direct care or related/ associated services. So many people are now living longer with AIDS/HIV due to advances in viral medication technology, but the impact of living a life with AIDS is far reaching. AIDS affects all of us, in one way or another. Generations of young people are not conscious of the 1980’s. The face of AIDS has changed since the time when those who were ill were visibly stigmatized, akin to being lepers. Now, those with HIV/AIDS live life among the general population attempting to cope with the disease. Sometimes, silently. Emotionally, the impact is just the same as those first diagnosed. Fear. The only solution is to rid the world of this disease, therefore opening a technological highway aimed to ignite the remedy to so many other diseases as well.

elizabeth_taylor_gallery_40

logo_headerThe Elizabeth Taylor AIDS Foundation
c/o Derrick Lee 
 Reback Lee & Company, Inc. 
 12400 Wilshire Blvd #1275 
 Los Angeles,  CA. 90025


Indiana Jones: Anything Goes

I am a big fan of Indiana Jones.  Those movies are one of the reasons I decided to study history.  Raiders of the Lost Ark and The Last Crusade are my two favorite of the movies.  I never was a huge fan of Temple of Doom, but after seeing Kingdom of the Crystal Skull, I like Temple of Doom much better.  My favorite part of the movie is the opening sequence when Kate Capshaw as Willie Scott sing a Mandarin version of the Cole Porter classic, “Anything Goes.”

USA Network is showing all four Indiana Jones movies today, and I am enjoying each one of them all over again.  It not only reminds me of my childhood, but also why I love history so much.


An Affair to Remember

Tonight, I am going to sleep with tears in my eyes.  You see, I am a hopeless romantic.  I can’t help it.  I watched one of my all time favorite movies tonight on TCM, “An Affair to Remember.”  Why is it that the greatest movies always make you want to cry at the end?  Not only this movie, but so many others that have so emotional endings, two that I can think of right off hand are “Casablanca” and “Fried Green Tomatoes.”  These are some of my top movie favorites.  If I were going to pick a favorite gay movie that always gets me at the end, it would have to be “Latter Days,” which if you haven’t seen, shame on you.  It is well worth it. 

In honor of the movie, “An Affair to Remember” here is Deborah Kerr singing the song “Love Affair” from the movie:
Deborah Kerr “An Affair To Remember”
Actually the voice is Marni Nixon, who is  a great singer and dubbed the singing for Deborah Kerr in this movie and in “The King and I,” she sounds like Kerr and it the voices were melded together to appear seamless.

Happy Holidays

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Below is one of my favorite Christmas songs from one of my top three favorite Christmas movies: “White Christmas,” “Holiday Inn,” and “Christmas in Connecticut.”

Happy Holidays from “Holiday Inn”

Not the best version of the song, but the only one I could find with scenes from the movie.

What is your favorite Christmas movie?

PS They don’t show “Holiday Inn” much anymore on TV because it covers all the major holidays and during Abraham Lincoln’s Birthday, they sing a song called “Abraham” in black face.  It is actually a part of the plot when they sing in black face, but other than that it is a great holiday movie.


Happy Halloween: Movie Review Special

image HELLBENT is the terrifying original feature from writer/ director Paul Etheredge-Ouzts and Joseph Wolf, the co-creator of such horror classics as Halloween and A Nightmare on Elm Street.
Taking place at the famed West Hollywood Halloween Carnival, there is a serial killer on the loose. A group of four gay friends will have to fight for their lives to make it through a night where flamboyant costumes, beautiful people, drugs, music, dancing and sex are everywhere.
A wild, relentless ride that combines winning and appealing characters, unexpected surprises, and shocking scares, HELLBENT is a refreshing new classic for the horror genre.
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Since I first saw this movie, a real gay horror movie, (not one of those straight boys in their underwear horror movies that David DeCoteau has made so many of), I have watched this movie every Halloween.  It’s scary with a lot of eye candy, what more could you ask for on Halloween.
Tonight, I might also add another hot horror movie, which is considered one of the Top 5 Unintentional Gay movies on Cracked.com.  Ranking #4 on their list is The Covenant from 2006:
#4. The Covenant (2006)

Summary:
Caleb is the leader of a gang of “undercover” male witches who spend a lot of time showering together. He is obsessively targeted by a mysterious stranger, Chase, the new kid at their exclusive private school.
We don’t want to read too much into the fact that the school’s female students are featured mostly as blurry, indistinct figures in the background. Why read anything at all when we have an all-male naked locker room fight scene to watch?


“I’m gonna cast a magic spell. A magic ass spell. On your ass.

Yes, it’s the classic story of male friendship: One man defends another in a naked brawl, sparked when one of the men is called gay. Our memory is a little hazy, but we’re fairly certain that’s how Mel Gibson met Danny Glover in the first Lethal Weapon.
After their bond if forged through butt-naked combat, Chase and Caleb hit some bars together and engage in extended male swimming competitions while wearing tiny, tiny shorts. Their relationship reaches its climax when Caleb discovers the secret that Chase hides away from the world in the clos … cupboard deep within his soul. We’re of course talking about the fact that Chase is also an undercover witch.
Chase becomes desperate to consume Caleb’s magic, when he learns that Caleb has a special magic that will only fully develop once he turns 18. Chase stalks him, threatens his friends and eventually holds him down and kisses him.


“This is how we steal magic, right?”

This brings us to the final conflict, and the point at which the film pretty much whips the audience in the face with the homoerotic symbolism: In the climactic scene, the two men hurl magic translucent white globs of power at each other as Chase begs for Caleb’s consent.
Best Line:
“How about I make you my wi-atch?”
Wait, Are You Sure This is “Unintentional”?

“Be careful, my magic is very sticky and if it gets in your hair, you’ll never get it out.”
In this case, at least, all of the homoerotic subtext lurking just beneath the surface (and sometimes prominently above it) seems to be a strange, misguided attempt to appeal to the young women who this film was plainly aimed at. The filmmakers must have spent some time in some chat rooms, and decided that homoerotic fanservice is all that is needed to sell tickets in these modern times.
To be fair, the obligatory girl-girl make-out scenes in modern slasher flicks demonstrates that producers don’t have a much higher opinion of male horror fans.
Read more: http://www.cracked.com/article_17097_the-5-most-unintentionally-gay-horror-movies.html#ixzz13yFccdAH


Friends of Dorothy

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 The Wizard of Oz had its first premiere screening 71 years ago today. This movie has been a iconic movie for gay men since it was released. Other connections between Garland and LGBT people include the slang term friend of Dorothy, imagewhich likely derives from Garland’s portrayal of Dorothy Gale in The Wizard of Oz and became a code phrase gay people used to identify each other. Dorothy’s journey from Kansas to Oz “mirrored many gay men’s desires to escape the black-and-white limitations of small town life…for big, colorful cities filled with quirky, gender-bending characters who would welcome them.” In the film, Dorothy immediately accepts those who are different, including the Cowardly Lion. The Lion identifies himself through song as a “sissy” and exhibits stereotypically “gay” (or at least effeminate) mannerisms. The Lion offers a coded example of Garland meeting and accepting a gay man without question.In the film, Dorothy is accepting of those who are different. For example the “gentle lion” living a lie, “I’m afraid there’s no denyin’, I’m just a dandy lion.”

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image I find this little fact hilarious, though it is also quite tragic in terms of understanding the American military attitudes and understanding of gay men.  In the early 1980s, the Naval Investigative Service was investigating homosexuality in the Chicago area. Agents discovered that gay men sometimes referred to themselves as “friends of Dorothy.” Unaware of the historical meaning of the term, the NIS believed that a woman named Dorothy was at the center of a massive ring of homosexual military personnel. The NIS launched an enormous hunt for Dorothy, hoping to find her and convince her to reveal the names of gay servicemembers.

Conventional wisdom is that Garland’s death and funeral, in June 1969, helped inspire the image Stonewall riots, the flashpoint of the modern Gay Liberation movement. However, some observers of the riots contend that most of those involved “were not the type to moon over Judy Garland records or attend her concerts at Carnegie Hall. They were more preoccupied with where they were going to sleep and where their next meal would come from.” There was certainly an awareness and appreciation of Garland among Stonewall Inn patrons. Because the bar had no liquor license, it was passed off as a bottle club and patrons were required to sign in. Many used pseudonyms and “Judy Garland” was among the most popular. Regardless of the truth of the matter, the Garland/Stonewall connection has persisted and has been fictionalized in Stonewall, Nigel Finch’s feature film about the events leading up to the riots. Lead character Bostonia is shown watching Garland’s funeral on television and mourning, and later refusing to silence a jukebox playing a Garland song during a police raid, declaring “Judy stays.”

Time magazine would summarize decades later:

The uprising was inspirited by a potent cocktail of pent-up rage (raids of gay bars were brutal and routine), overwrought emotions (hours earlier, thousands had wept at the funeral of Judy Garland) and drugs. As a 17-year-old cross-dresser was being led into the paddy wagon and got a shove from a cop, she fought back. [She] hit the cop and was so stoned, she didn’t know what she was doing—or didn’t care.

Garland’s daughter Lorna Luft points to the connection with pride, saying that her mother was a image“huge, huge advocate of human rights” and that Garland would have found the rioting appropriate.

Another connection is the rainbow flag, symbol of the LGBT communities which may have been inspired, in part, by Garland’s song “Over the Rainbow.” Garland’s performance of this song has been described as “the sound of the closet,” speaking to gay men whose image “they presented in their own public lives was often at odds with a truer sense of self that mainstream society would not condone.”


A Midsummer Night’s Dream

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Puck’s soliloquy from the last lines of A Midsummer Night’s Dream, a comedy by William Shakespeare, is one of my favorite lines from any of Shakespeare’s plays.

If we shadows have offended,
Think but this, and all is mended,
imageThat you have but slumber’d here
While these visions did appear.
And this weak and idle theme,
No more yielding but a dream,
Gentles, do not reprehend:
if you pardon, we will mend:
And, as I am an honest Puck,
If we have unearned luck
Now to ‘scape the serpent’s tongue,
We will make amends ere long;
Else the Puck a liar call;
So, good night unto you all.
Give me your hands, if we be friends,
And Robin shall restore amends.

image In his essay “Preposterous Pleasures, Queer Theories and A Midsummer Night’s Dream“, Douglas E. Green explores possible interpretations of alternative sexuality that he finds within the text of the play, in juxtaposition to the proscribed social mores of the culture at the time the play was written. He writes that his essay “does not (seek to) rewrite A Midsummer Night’s Dream as a gay play but rather explores some of its ‘homoerotic significations’ … moments of ‘queer’ disruption and eruption in this Shakespearean comedy”. Green states that he does not consider Shakspeare to have been a “sexual radical”, but that the play represented a “topsy-turvy world” or “temporary holiday”image that mediates or negotiates the “discontents of civilization”, which while resolved neatly in the story’s conclusion, do not resolve so neatly in real life. Green writes that the “sodomitical elements”, “homoeroticism”, “lesbianism”, and even “compulsory heterosexuality” in the story must be considered in the context of the “culture of early modern England” as a commentary on the “aesthetic rigidities of comic form and political ideologies of the prevailing order”. Aspects of ambiguous sexuality and gender conflict in the story are also addressed in essays by Shirley Garner and William W.E. Slights (see citations below).

Garner, Shirley Nelson. “Jack Shall Have Jill;/ Nought Shall Go Ill“. A Midsummer Night’s Dream Critical Essays. Ed. Dorothea Kehler. New York: Garland Publishing Inc., 1998. 127–144
Slights, William W. E. “The Changeling in A Dream”. Studies in English Literature, 1500–1900. Rice University Press, 1998. 259–272.

If you love a good gay movie, musicals, cute guys, and/or Shakespeare, here is a suggestion for you. Indie movies are definitely not for everyone. In other words, specific movies tend to appeal to specific groups. Were the World Mine will obviously appeal to a gay audience, but also to people who are into Shakespeare, as it is fun and often ridiculous – just like the Bard’s play.

What Is It About?

image Were the World Mine was based on a short film entitled Fairies. The movie’s protagonist is Timothy (played by Tanner Cohen), a gay outcast at a prep school in a small town somewhere in America. He loves to daydream, and his daydreams always feature musical sequences and beautiful scenery. The object of his daydreams is Jonathan (played by Nathaniel David Becker), the star jock of the school. It is not long before Timothy gets involved into a school drama project, starts exploring Shakespeare and finds a recipe for the magical love potion in A Midsummer Night’s Dream – which allows him to turn the entire town gay.
Read more at Suite101: Were the World Mine Movie Review: An Indie Retelling of Shakespeare’s A Midsummer Night’s Dream.
Cupid’s Love Spell from A Midsummer Night’s Dream
OBERON

That very time I saw, but thou couldst not,
Flying between the cold moon and the earth,
Cupid all arm’d: a certain aim he took
At a fair vestal throned by the west,
And loosed his love-shaft smartly from his bow,
image As it should pierce a hundred thousand hearts;
But I might see young Cupid’s fiery shaft
Quench’d in the chaste beams of the watery moon,
And the imperial votaress passed on,
In maiden meditation, fancy-free.
Yet mark’d I where the bolt of Cupid fell:
It fell upon a little western flower,
Before milk-white, now purple with love’s wound,
And maidens call it love-in-idleness.
Fetch me that flower; the herb I shew’d thee once:
The juice of it on sleeping eye-lids laid
Will make or man or woman madly dote
Upon the next live creature that it sees.
Fetch me this herb; and be thou here again
Ere the leviathan can swim a league.

PUCK

I’ll put a girdle round about the earth
In forty minutes.

OBERON

Having once this juice,
I’ll watch Titania when she is asleep,
image And drop the liquor of it in her eyes.
The next thing then she waking looks upon,
Be it on lion, bear, or wolf, or bull,
On meddling monkey, or on busy ape,
She shall pursue it with the soul of love:
And ere I take this charm from off her sight,
As I can take it with another herb,
I’ll make her render up her page to me.
But who comes here? I am invisible;
And I will overhear their conference.

If you could have potion that could turn someone you have a crush on or are in love with gay, would you use it? Seriously, now. I am not talking about just on a whim. You would be changing this person’s life. Would you do it to satisfy your own happiness, even though it might not satisfy their own?


“Let them hate me, so long as they fear me.”

image The quote that is the title of this post is from the 1979 film Caligula.  One of the most infamous films ever made.  Tonight for the first time, I watched it.  And as much as I love porn, even I was shocked—shocked, I tell you.  This film chronicles the rise and fall of the notorious Roman Emperor Caligula, showing the violent methods that he employs to gain the throne, and the subsequent insanity of his reign – he gives his horse political office and humiliates and executes anyone who even slightly displeases him. He also sleeps with his sister, organizes elaborate orgies and embarks on a fruitless invasion of England before meeting an appropriate end. There are various versions of the film, ranging from the heavily- truncated 90-minute version to the legendary 160-minute hardcore version which leaves nothing to the imagination (though the hardcore scenes were inserted later and do not involve the main cast members).
imageCaligula is a 1979 film directed by Tinto Brass, with additional scenes filmed by Giancarlo Lui and Penthouse founder Bob Guccione. The film concerns the rise and fall of Roman Emperor Gaius Caesar Germanicus, better known as Caligula. Caligula was written by Gore Vidal and co-financed by Penthouse magazine, and produced by Guccione and Franco Rossellini. It stars Malcolm McDowell as the Emperor. Caligula was the first major motion picture to feature eminent film actors (John Gielgud, Peter O’Toole, Malcolm McDowell, Helen Mirren) in a film with explicit sex scenes.
image With the cast of John Gielgud, Peter O’Toole, Malcolm McDowell, Helen Mirren, you have to wonder how these actors made a film that was panned by critics; Roger Ebert gave it zero stars, describing it as “sickening, utterly worthless, shameful trash.” Perhaps the most scathing comment to ever appear in one of Ebert’s reviews is attributed to a third party: “‘This movie’, said the lady in front of me at the drinking fountain, ‘is the worst piece of shit I have ever seen.'” This was one of the few films Ebert ever walked out of; “two hours into its 170 [sic] minute length.” Reviewer Leonard Maltin said the film was little more than “chutzpah and six minutes of not-bad hardcore footage.” Newsweek magazine called Caligula “a two-and-one-half-hour cavalcade of depravity that seems to have been photographed through a tub of Vaseline.”
image Basically, what was done was that the actors in the movie only saw the script for what later became the heavily- truncated 90-minute version.  The rest of the movie was shot by Penthouse founder Bob Guccione.  Guccione essentially made a porn film of orgies, full frontal and graphic nudity, and S&M  bondage scents.  He then spliced those into the movie without the actors knowing it.  The movie contained a lot of nudity before the graphically sexual scenes, but none of the penetrative sex.  You can certainly tell the difference when Caligula (Malcolm McDowell) is taking Livia’s virginity and then fists her husband, which appears to be quite fake, versus the penetrative vaginal and oral sex scenes in the orgy of the Roman Senator’s wives.  None of the main characters appear in the hardcore sex scenes though they can be heard in the background trying to put some continuity to the spliced up movie.
If you like seventies straight porn, a fan of huge thick cocks (and don’t mind seeing naked women), or are bisexual and enjoy straight porn, watch this movie.  The historical accuracy is pretty pitiful, but then what else could you expect from Gore Vidal writing the script.  Overall, I found it a very interesting movie, I just had no idea that is was so, so graphic.
Case in point, all of these pictures are from the movie.
By the way, some people say that this is the worst film of all time.  I say that sometimes a bad movie is fun to watch.  This one is perverse, but still interesting (maybe, fun).

Trailer for a remake Gore Vidal’s Caligula (2005)

This is a short film (parody) based on the 1979 film of the same name. The film is stylized with the actors wearing modernized robes and Roman jewelry and females playing male characters and vice-versa. starring : Helen Mirren, Karen Black, Milla Jovovich, Benicio Del Toro, Adriana Asti,Glenn Shadix, Michelle Phillips, Gerard Butler

Alexander The Great’s Gay Lovers

THE GAY LOVERS OF ALEXANDER III OF MACEDON,
known as ‘THE GREAT’

Alexander the Great
Alexander the Great
Note on Alexander, the movie by Oliver Stone
When Oliver Stone was thinking of doing a movie on the life of the legendary son of king Phillip II of Macedon and queen Olympias, one unexpected obstacle stood in his way: the Greek government. It didn’t want one of their greatest heroes ‘besmirched’ by public knowledge of his male loves. As a result, the film was shot mainly in Morocco and Thailand.  No scenes were filmed in Greece, as the Athens News Agency explains, because of government opposition to Stone’s portrayal of the Greek hero.
Not surprisingly, these “erotic reality deniers” provided Mr. Stone with free publicity, as well as comic relief. A group of homophobic Greek lawyers even threatened to sue Warner Bros. and the director for implying Alexander the Great was bisexual. The lawyers, trampling their own intellectual heritage underfoot, sent a letter to the studio demanding they state in the title credits that the movie was a fictional tale.
Drama surrounding the “gayness” of Alexander has a precedent. A couple of years previously, a mob of hundreds of Macedonian Greeks stormed an archeological symposium after a speaker presented a paper on the homosexuality of Alexander. Police were then called in to evacuate . . . the scholarly participants!
image Not that Hollywood was any better. The film, which Stone had been trying to get on the screen for 15 years, received only lukewarm applause. It later came out that the studio pressured Stone to cut all the scenes of Alexander’s affair with that dangerous brat Bagoas. No wonder the critics found the leftovers boring!  Stone’s movie could have been done much better; he could have portrayed Alexander as we know him historically, gay lovers and all, but Colin Farrell was not the best choice to play Alexander.  When the DVD was released, Stone attempted to salvage the movie by rearranging the scenes and taking out much of the homosexual content.  The movie became such a boring travesty, that Stone had to re-release the DVD as an original directors cut, even that could not help this movie very much.  At least it featured a little bit of nudity.
The Life of Alexander the Great
image Alexander the Great commanded his first battles while only sixteen years old and went on to conquer the entire known world, leading his troops from the mountains of northern Greece all the way to the mountains of northern India. He subdued every opponent in his path, from the Greek city states to the kingdoms of North Africa, Asia Minor and Persia. His relentlessness in battle, often tempered by his magnanimity to the vanquished, was legendary. But so was his devotion to his friends and companions, and the love which he shared almost exclusively with his male peers starting in tender childhood.
This was no chance event. Born in August of 356 BCE, under the sign of the lion, he was the quintessential product imageof a patriarchal warrior culture, the very paragon of a male dominated world ruled by masculine values and a masculine aesthetic. His tutor from the age of thirteen on was the philosopher Aristotle, who commented on the excesses as well as the values of pederasty, and who had a number of male beloveds of his own. Alexander embodied those ethics for the rest of his brief but volcanic life. However, he stretched the accepted boundaries of ancient male love. Not only did he have love affairs with boys, but above them all, was his love for a man his own age, his childhood friend Hephaestion. This relationship resembled modern gay love and became legendary for it’s passion.
image What may seem normal to some of us today, the gay love of one man for another, in ancient days was frowned upon as a threat to masculinity and the structure of society. Love between grown men and teenage boys was the only proper way for two males to love each other. The men vied to be chosen by the boys as their lovers and the boys, ideally, were educated and led into adulthood by their lovers. Their love was an erotic love, and it often had its sexual aspects, but, as many of the philosophical and oratory texts show, men were expected to refrain from penetrating their beloved boys. Though in Alexander’s world of palaces, power, and passion, the pedagogic ideal was honored more in the breach than the observance, yet boys remained the focus of men’s affection. Philip II himself, Alexander’s own father, pursued young lovers tirelessly all his life. His very death came at the hand of a vengeful former beloved, Pausanias, who had been spurned by the king for a prettier boy. One trifled with Greek boys at one’s peril!
image Unlike Philip’s affairs, the love between Alexander and Hephaestion never waned. Alexander saw their love as emulating that heroic love between Achilles and Patroclus, another ancient couple that modern gay couples can look to as an example of devotion. Crossing into Asia on their way to Persia, the two halted their campaign in Illium by the ruins of Troy. There Alexander sacrificed and offered garlands at the shrine of Achilles, while Hephaestion did the same at the shrine of Patroclus. Following the ancient custom, Alexander ran naked around the hero’s tomb, proclaiming his admiration for Achilles, “fortunate in life to have so faithful a friend, and in death to have so famous a poet.”
Male love did not blind the Greeks, nor Alexander, to the lure of beautiful women: he married Roxane, a Persian princess, daughter of Oxyartes of Bactria, and fathered a child with her. Later, as the Roman/Greek historian Arrian reports, Alexander, while in Persia at Susa “…held wedding ceremonies for his Companions; he also took (another) wife himself – Barsine, Darius’ eldest daughter, and, according to Aristobulus, another as well, namely Parysatis, the youngest daughter of Ochlus…”(VII.5)
His love of women, however, may have been an acquired taste. The Roman historian Curtius reports that “He scorned (feminine) sensual pleasures to such an extent that Olympias, his mother, was anxious lest he be unable to beget offspring.” To whet his appetite for the fair sex, King Philip and Olympias had Kallixeina, a Thessalian hetaira (a professional courtesan) brought in. And one of his contemporary biographers, Eumenes, claimed Alexander “was not at his ease with sex.”
The other great male love of Alexander’s life that we know about was the eunuch Bagoas.image The two met while Alexander was on campaign against the Persian king Darius. The war had raged for some time, with Darius finally on the run, deserted by his vassals and eventually assassinated by one of his own men. His general, Nabarzenes, went to swear fealty to Alexander and to offer rich gifts, a beautiful boy among them. Curtius describes him as “… Bagoas, a eunuch exceptional in beauty and in the very flower of boyhood, with whom Darius was intimate and with whom Alexander would later be intimate,” (VI.5.23) The stormy, outspoken character of the boy matched his stunning looks and the friendship and love which grew between him and the warrior king lasted the rest of their lives.
image Alexander saw to it that his young beloved was well provided for. As Eumenes recounts, the king installed Bagoas in a villa outside of Babylon and required all his officers and courtesans, both Greek and Persian, to render him honors (to present him with rich gifts). They all did but one, the faithful satrap Orsines, who claimed that he had come “to honor the friends of Alexander, not his whores,” and that “it was not the custom of the Persians to take males in marriage who had been turned into women for the sake of being fucked.” Enraged, the young Bagoas wrought Orsines’ destruction by means of endless calumnies, rousing Alexander’s mind to anger until he condemned the man to death. Still not satisfied with his handiwork, Bagoas struck Orsines as he was being led off to execution. Orsines turned and drove home one final insult: “I had heard that women once reigned in Asia; this however is something new, for a eunuch to reign!” (Curtius, X.1.22)
imageAlexander’s favor to Bagoas can also be seen in his later appointment of Bagoas as one of the trierarchs, men of substance who oversaw and funded the construction of the navy for the journey homeward. Their love affair is attested to by many historians of the time, such as Plutarch, who recounts an episode showing that the love between the two was common knowledge among the troops, and much appreciated. At a dancing contest, Bagoas had won the honors then went to sit by the side of the king, “which so pleased the Macedonians that they shouted out for him to kiss Bagoas, and never stopped clapping their hands and shouting till Alexander took him in his arms and kissed him warmly,” (Plutarch, The Lives). The episode is attested by several ancient writers.
image This new love in no way affected the deep devotion which bound him to Hephaestion, which was itself famous throughout Magna Graecia. The cynic philosopher Diogenes wrote to Alexander about it, berating him for his sexual enslavement (and incidentally casting a light on the type of sexual intercourse preferred by Greek men: face to face, between the thighs): “If you want to be kalos kagathos (“beautiful and good”, the Greek expression for noble and ideal) throw away the rag you have on your head and come to us. But you won’t be able to, for you are ruled by Hephaestion’s thighs.” (Diogenes of Sinope, Letters, 24) Their love was undone only by Hephaestion’s death during the summer festivities at Ecbatana (in Persia) on their way home from India.
Alexander, who had borne hardship and wounds that would have felled a lesser man, was completely undone by this loss. It is said that he lay upon Hephaestion’s body for a day and a night and finally had to be dragged off by his friends. For another three days he remained mute, in tears, fasting. When he rose he sheared off all his hair and ordered all the ornaments in the city broken off the walls and the manes and tails of all the horses sheared. He forbade all music in the city and ordered every town in the empire to carry out mourning rituals. Then he sent envoys to Ammon’s oracle at the oasis of Siwah in Egypt to ask that divine honors be granted to his dead friend. The body of Hephaestion was embalmed and carried on to Babylon, where it was cremated on a pyre, in a funeral on which he planned to spend astronomical sums. Little did Alexander know that Babylon was to become his final stop as well. Forced to stay in the town through the hot, mosquito-ridden summer months, he took sick and died after a short illness. By our accounting the year was 323 BCE. Alexander was only 33 years old.
Editorial Board, World History of Male Love, “Famous Homosexuals”, The Gay Lovers of Alexander the Great, 2000 <http://www.gay-art-history.org/gay-history/gay-literature/famous-homosexuals/alexander-great-gay/alexander-great-gay.html>
Just for the record, to any of my Greek readers, always remember this, the greatest man in Greek History was a homosexual (ο μεγαλύτερος άνθρωπος στην ελληνική ιστορία ήταν ομοφυλόφιλος), not a pederast like many ancient Greeks, but a homosexual who had a male lover of equal age, which made a huge difference in the Ancient Greek World.