Fire and Sleet and Candlelight
by Elinor Wylie

For this you’ve striven
Daring, to fail:
Your sky is riven
Like a tearing veil.

For this, you’ve wasted
Wings of your youth;
Divined, and tasted
Bitter springs of truth.

From sand unslakèd
Twisted strong cords,
And wandered naked
Among trysted swords.

There’s a word unspoken,
A knot untied.
Whatever is broken
The earth may hide.

The road was jagged
Over sharp stones:
Your body’s too ragged
To cover your bones.

The wind scatters
Tears upon dust;
Your soul’s in tatters
Where the spears thrust.

Your race is ended—
See, it is run:
Nothing is mended
Under the sun.

Straight as an arrow
You fall to a sleep
Not too narrow
And not too deep.

[Sonnets are full of love, and this my tome]

by Christina Rossetti

Sonnets are full of love, and this my tome
Has many sonnets: so here now shall be
One sonnet more, a love sonnet, from me
To her whose heart is my heart’s quiet home,
To my first Love, my Mother, on whose knee
I learnt love-lore that is not troublesome;
Whose service is my special dignity,
And she my loadstar while I go and come.
And so because you love me, and because
I love you, Mother, I have woven a wreath
Of rhymes wherewith to crown your honoured name:
In you not fourscore years can dim the flame
Of love, whose blessed glow transcends the laws
Of time and change and mortal life and death.

The Voice of God

by Crystal Williams

Poem for Aretha Franklin

when she opens her mouth
our world swells like dawn on the pond
when the sun licks the water & the jay garbles,
the whole quiet thing coming into tune,
the gnats, frogs, the dandelion pollen, the
pebbles & leaves & the whole world of us
sitting at the throat of the jay
dancing in the throat of the jay
all of us on the lip of the jay
singing doowop, doowop, do.

About This Poem

“Many years ago I heard someone describe Aretha Franklin’s voice as the voice of God, which was an amazing thing to say. This meditation is my attempt at understanding why that statement struck me as profoundly true. In the end, Aretha’s voice is an aggregation of the choruses of the natural world—all of their harmony, complexity, and distinctiveness—and it is as close to the divine as I can imagine.”
—Crystal Williams

Still I Rise
Maya Angelou, 1928 – 2014

You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I’ll rise.

Does my sassiness upset you?
Why are you beset with gloom?
‘Cause I walk like I’ve got oil wells
Pumping in my living room.

Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I’ll rise.

Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops,
Weakened by my soulful cries?

Does my haughtiness offend you?
Don’t you take it awful hard
‘Cause I laugh like I’ve got gold mines
Diggin’ in my own backyard.

You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I’ll rise.

Does my sexiness upset you?
Does it come as a surprise
That I dance like I’ve got diamonds
At the meeting of my thighs?

Out of the huts of history’s shame
I rise
Up from a past that’s rooted in pain
I rise
I’m a black ocean, leaping and wide,
Welling and swelling I bear in the tide.

Leaving behind nights of terror and fear
I rise
Into a daybreak that’s wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.

“Still I Rise” is a powerful, empowering poem all about the struggle to overcome prejudice and injustice. It is one of Maya Angelou’s most popular poems.

When read by those who understand the meaning of repeated wrongdoing, the poem becomes a kind of anthem, a beacon of hope for the oppressed and downtrodden.

It is a reminder of the abuse of power by those who sit in government, the judiciary, in the military and in the police force. For members of the public, for society, it sends out the clear, repeated message of hope. No matter the circumstances, there must always be hope to cling on to.

The Tree of Knowledge

by Shane McCrae

The hastily assembled angel saw
One thing was like another thing and that
Thing like another everything depend-
ed on how high it was the place you saw

Things from and he had seen the Earth from where
A human couldn’t see the Earth and could-
n’t tell most human things apart and though
He hadn’t ever really understood

His job he knew it had to do with seeing
And what he saw was everything would come
Together at the same time everything
Would fall apart and that was humans thinking

The world was meant for them and other things
Were accidental or were decora-
tions meant for them and therefore purposeful
That humans thought that God had told them so

And what the hastily assembled angel
Thought was that probably God had said the same thing
To every living thing on Earth and on-
ly stopped when one said Really back but then

Again the hastily assembled angel
Couldn’t tell human things apart and maybe
That Really mattered what would he have heard
Holy or maybe Folly or maybe Kill

About This Poem

“‘The Tree of Knowledge’ is part of a tiny sequence of poems featuring a being I call ‘the hastily assembled angel.’ A lot of the poems I’ve been writing lately seem to me to be very belated responses to the Martian poetry that briefly appeared in the United Kingdom about forty years ago, and so feature protagonists to whom Earth seems even more strange than it seems to people who live on Earth in a more everyday way. If our country is going to be led by a comic-book villain, our poems might as well be filled with Martians.”
—Shane McCrae

Shane McCrae is the author, most recently, of The Gilded Auction Block forthcoming from Farrar, Straus and Giroux and In the Language of My Captor (Wesleyan University Press, 2017), which was a finalist for the National Book Award and the Los Angeles Times Book Prize. He teaches at Columbia University and lives in New York City.

The Mock Song

BY JOHN WILMOT, EARL OF ROCHESTER

I swive as well as others do,

I’m young, not yet deformed,

My tender heart, sincere, and true,

Deserves not to be scorned.

Why Phyllis then, why will you swive,

With forty lovers more?

Can I (said she) with Nature strive,

Alas I am, alas I am a whore.

Were all my body larded o’er,

With darts of love, so thick,

That you might find in ev’ry pore,

A well stuck standing prick;

Whilst yet my eyes alone were free,

My heart, would never doubt,

In am’rous rage, and ecstasy,

To wish those eyes, to wish those eyes fucked out.

John Wilmot (1 April 1647 – 26 July 1680) was an English poet and courtier of King Charles II‘s Restoration court. The Restoration reacted against the “spiritual authoritarianism” of the Puritan era. Rochester was the embodiment of the new era, and he is as well known for his rakish lifestyle as his poetry, although the two were often interlinked. He died at the age of 33 from venereal disease.

By the Stream
by Paul Laurence Dunbar

By the stream I dream in calm delight, and watch as in a glass,
How the clouds like crowds of snowy-hued and white-robed maidens
pass,
And the water into ripples breaks and sparkles as it spreads,
Like a host of armored knights with silver helmets on their heads.
And I deem the stream an emblem fit of human life may go,
For I find a mind may sparkle much and yet but shallows show,
And a soul may glow with myriad lights and wondrous mysteries,
When it only lies a dormant thing and mirrors what it sees.

From you have I been absent in the spring (Sonnet 98)
William Shakespeare, 1564 – 1616

From you have I been absent in the spring,
When proud-pied April, dressed in all his trim,
Hath put a spirit of youth in everything,
That heavy Saturn laughed and leaped with him,
Yet nor the lays of birds, nor the sweet smell
Of different flowers in odor and in hue,
Could make me any summer’s story tell,
Or from their proud lap pluck them where they grew.
Nor did I wonder at the lily’s white,
Nor praise the deep vermilion in the rose;
They were but sweet, but figures of delight,
Drawn after you, you pattern of all those.
Yet seemed it winter still, and, you away,
As with your shadow I with these did play.

Homosexuality
Henri Cole, 1956

First I saw the round bill, like a bud;
then the sooty crested head, with avernal eyes
flickering, distressed, then the peculiar
long neck wrapping and unwrapping itself,
like pity or love, when I removed the stovepipe
cover of the bedroom chimney to free
what was there and a duck crashed into the room
(I am here in this fallen state), hitting her face,
bending her throat back (my love, my inborn
turbid wanting, at large all night), backing away,
gnawing at her own wing linings (the poison of my life,
the beast, the wolf), leaping out the window,
which I held open (now clear, sane, serene),
before climbing back naked into bed with you.

Vernal Equinox
Amy Lowell, 1874 – 1925

The scent of hyacinths, like a pale mist, lies

between me and my book;
And the South Wind, washing through the room,
Makes the candles quiver.
My nerves sting at a spatter of rain on the shutter,
And I am uneasy with the thrusting of green shoots
Outside, in the night.

Why are you not here to overpower me with your

tense and urgent love?

Happy Vernal Equinox! (March 20th 12:15pm)