If Tears Could Build A Stairway
Author: Unknown

If tears could build a stairway,
and memories a lane.
I would walk right up to Heaven
and bring you back again.

A thousand words won’t bring you back,
I know because I’ve tried;
And neither will a million tears,
I know because I’ve cried.

Remembering you is easy,
I do it every day.
My missing you is heartache
that never goes away.

No farewell words were spoken,
No time to say “Goodbye”.
You were gone before I knew it,
and only God knows why.

My heart still aches with sadness,
and secret tears still flow.
What it meant to love you –
No one can ever know.

But now I know you want me
to mourn for you no more;
To remember all the happy times
life still has much in store.

Since you’ll never be forgotten,
I pledge to you today~
A hollowed place within my heart
is where you’ll always stay.

No one knows who wrote this poem, and there are numerous variations, but if you’ve lost someone dear to you then you know how this poem covers many of the emotions of loss. I usually don’t post anonymous poems, but a dear friend sent me this one (actually a variation of it). After she sent it, I knew I wanted to use it. It’s feelings that I have felt over and over.

Q
Hannah Sanghee Park, 1986

May I master love, undo its luster
do in the thing that makes us lust?

May I speed through the body’s sinew
to marrow? Or is toiling a part of

the gaining of trust? May I pare and narrow
your body down, and open it to my

cupidity’s arrow? May I find my
response to body’s unanswered call,

(if the want leaves you wanting, at all)?

&A
Hannah Sanghee Park, 1986

Being a matter
of importance, there

is no mastering
this but to bind you,

thrash and all, to the
mast. O you won’t reach

irresistible song,
but the rope will teach

you the body’s give.
Go down to the bone,

then tell me again
there what matters. It

will give you every
-thing you need to know

about what I cannot tell you and then,
just maybe then, could it be enough.

About This Poem

“This is a two-part poem, the ‘Q’ of a ‘Q-and-A.’ The speaker is urgent, urging this line of inquiry to get to the heart of the matter. ‘And-A’ will answer in the way all matters of the heart are answered: with patience.” – Hannah Sanghee Park

Hannah Sanghee Park is the author of “The Same-Different,” which won the 2014 Walt Whitman Award and is forthcoming from Louisiana University Press in 2015. She attends the Writing for Screen & Television Program at the University of Southern California School of Cinematic Arts and lives in Los Angeles.

To me, fair friend, you never can be old (Sonnet 104)
by William Shakespeare

To me, fair friend, you never can be old,
For as you were when first your eye I ey’d,
Such seems your beauty still. Three winters cold,
Have from the forests shook three summers’ pride,
Three beauteous springs to yellow autumn turn’d,
In process of the seasons have I seen,
Three April perfumes in three hot Junes burn’d,
Since first I saw you fresh, which yet are green.
Ah! yet doth beauty like a dial-hand,
Steal from his figure, and no pace perceiv’d;
So your sweet hue, which methinks still doth stand,
Hath motion, and mine eye may be deceiv’d:
For fear of which, hear this thou age unbred:
Ere you were born was beauty’s summer dead.
In this poem, Shakespeare uses his first memories of meeting his lover as inspiration for this poem. This sonnet makes it clear that the passion he feels for his male lover (possibly the Earl of Southhampton) is one of the most intense experiences of his life. His “fair friend” is the most important thing in his life. Their love is eternal, and his lover is eternal, both in beauty and spirit.

The three Aprils and three Junes suggest that the two were together for just three years. There was also a three years age difference between the 18 year old Shakespeare and the 21 year old Southampton at the time of Shakespeare’s marriage to Anne Hathaway. Some critics of this method of interpreting the three years argue that the poet’s use of ‘three’ years specifically may be simply a poetic convention (based on the significance of the number three in the Bible) and not a literal reference to the time he has spent with his lover. 

Whatever the case may be, Saturday, April 23, 2016 marked the 400th anniversary of Shakespeare’s death. Today, actually marks the 452 year of his baptism which is the closest evidence we have to knowing Shakespeare’s date of birth.

Tattoo
by Nick Flynn

You do know, right,
that between the no-

longer & the still-
to-come

you are being continually
tattooed, inked

with the skulls of
everyone

you’ve ever loved—the you
& the you

& the you & the you—you don’t
sit in a chair, thumb

through a binder, pick a
design, it simply

happens each time you
bring your fingers to your face

to inhale him back into you . . .
tiny skulls, some of us are

covered. You, love, could

simply tattoo an open
door, light

pouring in from somewhere
outside, you

could make your body a door
so it appears you

(let her fill you) are made
of light.

About This Poem

“A parenthetical appears in the last couplet of this poem, an aside I have no memory writing ‘(let her fill you),’ interrupting the hermetic seal of the poem, a wind blowing through an open door, just before we leave.”—Nick Flynn

Nick Flynn is the author of My Feelings (Graywolf Press, 2015). He teaches at the University of Houston and splits his time between Houston, Texas, and Brooklyn, New York.

To E
by Sara Teasdale

The door was opened and I saw you there
And for the first time heard you speak my name.
Then like the sun your sweetness overcame
My shy and shadowy mood; I was aware
That joy was hidden in your happy hair,
And that for you love held no hint of shame;
My eyes caught light from yours, within whose flame
Humor and passion have an equal share.

How many times since then have I not seen
Your great eyes widen when you talk of love,
And darken slowly with a fair desire;
How many time since then your soul has been
Clear to my gaze as curving skies above,
Wearing like them a raiment made of fire.

I’m not sure who the “E” in Sara Teasdale’s life was, but I know who the five E’s that have been in my own life. Three are no longer of this earth. One I lost back in November, and I mourn the loss of my greatest confidant and friend each and every day. The antidepressants and anti-anxiety medicine that I take keeps away the darkest of thoughts that I still feel, but they only keep them at a distant shadow. The other two were my father’s parents. I lost Grandaddy first nearly fifteen years ago, and Grandmama nearly three years ago. I think of the three of them all the time. Grandmama and my friend E, I think of everyday.  The two of them loved me unconditionally. True unconditional love is a rare thing to every find.

Another E was a great companion and boyfriend who I gave up for a new life and new job. Luckily, we have remained friends, and I still keep in touch with him. The other E is my sweet little Edith, a bobtail calico kitten who I remember looked into my eyes when I went to rescue her from an animal shelter. She is a loyal and sweet friend who I wish was here in Vermont with me, but she is safely living the life of a queen with my aunt.

Five E’s that I love. Five E’s that I miss. Five E’s that I will see again. Three in heaven, two when I return to Alabama.

Headaches
Marilyn Hacker, 1942

Wine again. The downside of any evening’s
bright exchanges, scribbled with retribution :
stark awake, a tic throbs in the left temple’s
site of bombardment.

Tortured syntax, thorned thoughts, vocabulary
like a forest littered with unexploded
cluster bombs, no exit except explosion
ripping the branches.

Stacks of shadowed books on the bedside table
wall a jar of Tiger Balm. You grope for its
glass netsuke hexagon. Tic stabs, dull pain
supercedes voices,

stills obsessive one-sided conversations.
Turn from mouths you never will kiss, a neck your
fingers will not trace to a golden shoulder.
Think of your elders —

If, in fact, they’d died, the interlocutors
who, alive, recede into incoherence,
you would write the elegy, feel clean grief, still
asking them questions

— though you know it’s you who’d provide the answers.
Auden’s Old People”s Home, Larkin’s The Old Fools
are what come to mind, not Yeats. In a not-so
distant past, someone

poured a glass of wine at three in the morning,
laid a foolscap pad on the kitchen table,
mind aspark from the long loquacious dinner
two hours behind her,

and you got a postcard (a Fifties jazz club)
next day across town, where she scrawled she’d found the
tail-end of a good Sancerre in the fridge and
finished the chapter.

Now she barely knows her friends when you visit.
Drill and mallet work on your forehead. Basta!
And it is Màrgaret you mourn for.. Get up,
go to the bathroom.

You take the drugs. Synapses buzz and click.
You turn the bed lamp on, open a book :
vasoconstrictor and barbiturate
make words in oval light reverberate.
The sky begins to pale at five o’clock.

Since this tooth began to ache, I have been having pretty awful headaches. They come and go, but when they come they come with a vengeance. There are a lot of parts of this poem that speak to how I feel with a headache.

The rhythm of the tongue brings wordless music into the air; it is in poetry that the human essence is refined to such ritualistic purity. It’s in the steady beats, the sonorous rise-and-fall of speech; for a moment it appears as if all the mysteries of the world have unlocked themselves to our private view.

It’s these works which are celebrated on World Poetry Day, falling on 21 March (yesterday), in which UNESCO recognizes the moving spirit of poetry and its transformative effect on culture.

In honor of these celebrations, below is a small collection of parts of poems from 25 of the greatest poets and some of the most powerful words written in poetic form in history.

Emily Dickinson
‘Because I could not stop for Death’

Because I could not stop for Death,
He kindly stopped for me;
The carriage held but just ourselves
And Immortality

Oscar Wilde
‘To My Wife’

And when wind and winter harden
All the loveless land,
It will whisper of the garden,
You will understand

Gwendolyn MacEwen
‘Dark Pines Under Water’

But the dark pines of your mind dip deeper
And you are sinking, sinking, sleeper
In an elementary world; There is something down there and you want it told

T.S Eliot
‘The Hollow Men’

This is the way the world ends
not with a bang but a whimper

Sylvia Plath
‘Lady Lazarus’

Out of the ash I rise
With my red hair
And I eat men like air

‘Daddy’

At twenty I tried to die
And get back, back, back to you.
I thought even the bones would do.
But they pulled me out of the sack,
And they stuck me together with glue

Wilfred Owen
‘Dulce et Decorum est’

Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs
And towards our distant rest began to trudge.

Neruda
‘Sonnet XVII’

I love you as certain dark things are to be loved
in secret, between the shadow and the soul.

Margaret Atwood
‘Variation on the Word Sleep’

I would like to be the air
that inhabits you for a moment
only. I would like to be that unnoticed
& that necessary

e e cummings
‘the boys i mean are not refined’

they speak whatever’s on their mind
they do whatever’s in their pants
the boys i mean are not refined
they shake the mountains when they dance

Walt Whitman
‘O Captain! My Captain!’

O Captain! my Captain! our fearful trip is done;
The ship has weather’d every rack, the prize we sought is won

‘Leaves of Grass’

I bequeath myself to the dirt to grow from the grass I love
If you want me again look for me under your boot-soles

Allen Ginsberg
‘Song’

The weight of the world
is love
Under the burden
of solitude,
under the burden
of dissatisfaction
the weight,
the weight we carry
is love

‘Howl’
I saw the best minds of my generation destroyed by madness, starving hysterical naked,
dragging themselves through the negro streets at dawn looking for an angry fix
angelheaded hipsters burning for the ancient heavenly connection to the starry dynamo in the machinery of night

Maya Angelou
‘I Know Why The Caged Bird Sings’

The caged bird sings with a fearful trill
Of things unknown but longed for still
And his tune is heard on the distant hill
For the caged bird sings of freedom

‘Still I Rise’

You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I’ll rise

William Butler Yeats
‘The Second Coming’

The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity ‘

Edna St. Vincent Millay
‘Dirge Without Music’

Down, down, down into the darkness of the grave
Gently they go, the beautiful, the tender, the kind;
Quietly they go, the intelligent, the witty, the brave.
I know. But I do not approve. And I am not resigned

Alexander Pope
‘Eloisa to Abelard’

How happy is the blameless vestal’s lot!
The world forgetting, by the world forgot.
Eternal sunshine of the spotless mind!
Each pray’r accepted, and each wish resign’d

William Shakespeare
‘Sonnet 116’

Love is not love Which alters when it alteration finds,
Or bends with the remover to remove:
O no; it is an ever-fixed mark,
That looks on tempests, and is never shake

Ezra Pound
‘A Girl’

Tree you are,
Moss you are,
You are violets with wind above them.
A child – so high – you are,
And all this is folly to the world

Charles Bukowski
‘The Unblinking Grief’

you are much more than simply dead
I am a dish for your ashes
I am a fist for your vanished air
the most terrible thing about life
is finding it gone

Elizabeth Barrett Browning
‘Sonnet 43’

How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of being and ideal grace.

Shel Silverstein
‘Masks’

She had blue skin,
and so did he.
He kept it hid
and so did she.
They looked for blue
their whole life through.
Then passed right by—
and never knew

Dylan Thomas
‘Do Not Go Gentle Into That Good Night’

Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light

Samuel Taylor Coleridge
‘The Rime of the Ancient Mariner’

Water, water, every where,
And all the boards did shrink;
Water, water, every where
Nor any drop to drink

Langston Hughes
‘Let America Be America Again’

I am the poor white, fooled and pushed apart
I am the Negro bearing slavery’s scars
I am the red man driven from the land,
I am the immigrant clutching the hope I seek –
And finding only the same old stupid plan
Of dog eat dog, of mighty crush the weak

Siegfried Sassoon
‘Suicide in the Trenches’

You smug-faced crowds with kindling eye
Who cheer when soldier lads march by,
Sneak home and pray you’ll never know
The hell where youth and laughter go

Robert Frost
‘Nothing Gold Can Stay’

So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.

‘The Road Not Taken’

Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.

Why They Went
Elizabeth Bradfield

that men might learn what the world is like at the spot where the sun does not decline in the heavens.
—Apsley Cherry-Garrard

Frost bitten. Snow blind. Hungry. Craving
fresh pie and hot toddies, a whole roasted
unflippered thing to carve. Craving a bed
that had, an hour before entering,
been warmed with a stone from the hearth.

Always back to Eden—to the time when we knew
with certainty that something watched and loved us.
That the very air was miraculous and ours.
That all we had to do was show up.

The sun rolled along the horizon. The light never left them.
The air from their warm mouths became diamonds.
And they longed for everything they did not have.
And they came home and longed again.

Elizabeth Bradfield is the author of Approaching Ice (Persea, 2010), which was a finalist for the James Laughlin Award from the Academy of American Poets, and Interpretive Work (Arktoi, 2008), which won the 2009 Audre Lorde Prize and was a finalist for a Lambda Literary Award. Her poems have appeared in The Atlantic Monthly, Poetry, The Believer, Orion as well as many anthologies, and she is a former Wallace Stegner Fellow. Founder and editor of the grassroots-distributed and guerilla-art-inspired Broadsided Press (broadsidedpress.org), she works as a naturalist and lives on Cape Cod.

A Dream Within a Dream
By Edgar Allan Poe

Take this kiss upon the brow!
And, in parting from you now,
Thus much let me avow —
You are not wrong, who deem
That my days have been a dream;
Yet if hope has flown away
In a night, or in a day,
In a vision, or in none,
Is it therefore the less gone?
All that we see or seem
Is but a dream within a dream.

I stand amid the roar
Of a surf-tormented shore,
And I hold within my hand
Grains of the golden sand —
How few! yet how they creep
Through my fingers to the deep,
While I weep — while I weep!
O God! Can I not grasp
Them with a tighter clasp?
O God! can I not save
One from the pitiless wave?
Is all that we see or seem
But a dream within a dream?

“A Dream Within a Dream” is a poem written by Edgar Allan Poe, first published in 1849. The poem is 24 lines, divided into two stanzas. The poem questions the way one can distinguish between reality and fantasy, asking, “Is all that we see or seem but a dream within a dream?”

The poem dramatizes a confusion in watching the important things in life slip away. Realizing he cannot hold on to even one grain of sand leads to his final question that all things are a dream. The poem references “golden sand,” an image derived from the 1848 finding of gold in California.

In 1827, Poe enlisted in the U.S. Army under the name “Edgar A. Perry.” He did well as a soldier, rising to the rank of sergeant major. He also continued to write. A book of his poetry was published anonymously (the author being listed only as “A Bostonian”). In April 1829, he entered the U.S. Military Academy at West Point. A few months later, he published his second book of poetry, Al Aaraaf, Tamerlane and Minor Poems.

Poe soon realized that West Point wasn’t for him. He decided to get himself kicked out of school, which he successfully accomplished by refusing to attend chapel or classes. Poe tried hard to get kicked out of West Point, and in 1831, he succeeded. Rumor is that the final straw came when he reported for drill wearing belts for his cartridges, a smile and nothing else. While officially, he was court martialed on “Charge 1 . . . Gross neglect of Duty” and “Charge 2 . . . Disobedience of Orders.” He was court-martialed and dismissed. “The army does not suit a poor man — so I left W. Point abruptly,” he later wrote, “and threw myself upon literature as a resource. I became first known to the literary world thus.” Poe published several anonymous short stories plus another book of poems. Almost immediately after he left West Point, his brother Henry died of tuberculosis.

Poe began (and finished) his career as a starving writer. Though John Allan had remarried a wealthy woman, he refused to support his foster son, who was constantly asking for money. “It has now been more than two years since you have assisted me, and more than three since you have spoken to me,” Poe wrote in his final letter to his foster father in 1833. “If you will only consider in what a situation I am placed you will surely pity me — without friends, without any means, consequently of obtaining employment, I am perishing — absolutely perishing for want of aid. . . . For God’s sake pity me, and save me from destruction.” John Allan did not respond. And when he died on 27 March 1834, Allan omitted his adopted son from his will entirely.

I used Edgar Allan Poe today, because yesterday and today, I spent touring West Point as my job and to my knowledge, Poe was the most famous poet to attend West Point.

Cadets march to graduation ceremonies at the United States Military Academy at West Point, N.Y., Saturday, May 31, 2008. (AP Photo/Mike Groll)