Category Archives: Poetry

When Giving Is All We Have

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When Giving Is All We Have
By Alberto Ríos

                                        One river gives.
.                                       Its journey to the next.                  

We give because someone gave to us.
We give because nobody gave to us.

We give because giving has changed us.
We give because giving could have changed us.

We have been better for it,
We have been wounded by it—

Giving has many faces: It is loud and quiet,
Big, though small, diamond in wood-nails,

Its story is old, the plot worn and the pages too,
But we read this book, anyway, over and again:

Giving is, first and every time, hand to hand,
Mine to yours, yours to mine.

You gave me blue and I gave you yellow.
Together we are simple green. You gave me

What you did not have, and I gave you
What I had to give—together, we made

Something greater from the difference.

About This Poem
“This is a poem of thanks to those who live lives of service, which, I think, includes all of us—from the large measure to the smallest gesture, from care-giving to volunteerism to being an audience member or a reader. I’ve been able to offer these words to many groups, not only as a poem but also as a recognition. We give for so many reasons, and are bettered by it.”
— Alberto Ríos

Alberto Ríos is a Chancellor of the Academy of American Poets and the author of The Dangerous Shirt (Copper Canyon Press, 2009). He teaches at Arizona State University and lives in Chandler, Arizona.


Sonnet 97

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Sonnet 97
By William Shakespeare

How like a winter hath my absence been
From thee, the pleasure of the fleeting year!
What freezings have I felt, what dark days seen!
What old December’s bareness every where!
And yet this time remov’d was summer’s time;
The teeming autumn, big with rich increase,
Bearing the wanton burden of the prime,
Like widow’d wombs after their lords’ decease:
Yet this abundant issue seem’d to me
But hope of orphans and unfather’d fruit;
For summer and his pleasures wait on thee,
And, thou away, the very birds are mute:
Or, if they sing, ’tis with so dull a cheer,
That leaves look pale, dreading the winter’s near.


Windows: Two Poems By D. H. Lawrence

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At the Window
By D. H. Lawrence

The pine-trees bend to listen to the autumn wind as it mutters
Something which sets the black poplars ashake with hysterical laughter;
While slowly the house of day is closing its eastern shutters.

Further down the valley the clustered tombstones recede,
Winding about their dimness the mist’s grey cerements, after
The street lamps in the darkness have suddenly started to bleed.

The leaves fly over the window and utter a word as they pass
To the face that leans from the darkness, intent, with two dark-filled eyes
That watch for ever earnestly from behind the window glass.

From a College Window
By D. H. Lawrence

The glimmer of the limes, sun-heavy, sleeping,
Goes trembling past me up the College wall.
Below, the lawn, in soft blue shade is keeping,
The daisy-froth quiescent, softly in thrall.

Beyond the leaves that overhang the street,
Along the flagged, clean pavement summer-white,
Passes the world with shadows at their feet
Going left and right.

Remote, although I hear the beggar’s cough,
See the woman’s twinkling fingers tend him a coin,
I sit absolved, assured I am better off
Beyond a world I never want to join.

I’ve always been fascinated by the symbolism of windows. A window is a spiritual entrance through which your soul can travel. If you choose to let it go, your soul can break the glass boundaries created by the window and travel into the greater world; soaking in the sounds, the smells, the sights. Windows symbolize our senses. Our senses are like windows to our minds and our souls that allow both the negative and positive of the world to enter, making its impression on us thus allowing bright ideas to flourish or dull and dismal thoughts to suppress our potentials.

The soul has a window, as does the mind. The soul is like an enclosed space of our inner world, where our experiences, ideas, thoughts, hopes and dreams are stored and from whence they seek to find a window into the outer world going free, breaking forth and taking flight into the vast expanse of achievements.

A window is a portal; allowing your thoughts to roam around freely. It symbolizes freedom, a passage to and from a space into the vast expanse of the world and the passage, where light, air, sounds, knowledge, objects etc., may pass through, coming and going. However, a window creates boundaries, as your soul can only travel as far as your eyes can see. You cannot move right, or left; you move in an unwavering straight line. As you gaze out the window, you watch life go by, failing to contribute any involvement. It is a passive response. Looking out a window is a means of search for something. It signifies the need to find something missing in your life or a solution to a problem.

It is said that “the eyes are the windows to the soul,” meaning when others engage us our facial expressions, beginning with our eye movements and body language give others a momentary glimpse [a window, an opening] to see into our heart and soul, or our mind and it’s thinking.


One day is there of the series

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One day is there of the series
Emily Dickinson

One day is there of the series
Termed “Thanksgiving Day”
Celebrated part at table
Part in memory –
Neither Ancestor nor Urchin
I review the Play –
Seems it to my Hooded thinking
Reflex Holiday
Had There been no sharp subtraction
From the early Sum –
Not an acre or a Caption
Where was once a Room
Not a mention whose small Pebble
Wrinkled any Sea,
Unto such, were such Assembly,
‘Twere “Thanksgiving day” –


Novemebr

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November
by William Cullen Bryant

Yet one smile more, departing, distant sun!
One mellow smile through the soft vapory air,
Ere, o’er the frozen earth, the loud winds run,
Or snows are sifted o’er the meadows bare.
One smile on the brown hills and naked trees,
And the dark rocks whose summer wreaths are cast,
And the blue gentian flower, that, in the breeze,
Nods lonely, of her beauteous race the last.
Yet a few sunny days, in which the bee
Shall murmur by the hedge that skirts the way,
The cricket chirp upon the russet lea,
And man delight to linger in thy ray.
Yet one rich smile, and we will try to bear
The piercing winter frost, and winds, and darkened air.

About William Cullen Bryant
William Cullen Bryant’s poetry is affiliated with the Romantics, often reflecting an obsession with nature and a thoughtful desire for silence and solitude. Bryant was born on November 3, 1794. An American nature poet and journalist, Bryant wrote poems, essays, and articles that championed the rights of workers and immigrants. In 1829, Bryant became editor in chief of the New York Evening Post, a position he held until his death in 1878. His influence helped establish important New York civic institutions such as Central Park and the Metropolitan Museum of Art. In 1884, New York City’s Reservoir Square, at the intersection of 42nd Street and Sixth Avenue, was renamed Bryant Park in his honor.


In Flanders Field

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In Flanders Fields
By John McCrae

In Flanders fields the poppies blow
Between the crosses, row on row,
That mark our place; and in the sky
The larks, still bravely singing, fly
Scarce heard amid the guns below.

We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved and were loved, and now we lie
In Flanders fields.

Take up our quarrel with the foe:
To you from failing hands we throw
The torch; be yours to hold it high.
If ye break faith with us who die
We shall not sleep, though poppies grow
In Flanders fields.

McCrae’s “In Flanders Fields” remains to this day one of the most memorable war poems ever written. It is a lasting legacy of the terrible battle in the Ypres salient in the spring of 1915. Canadian physician Major John McCrae was inspired to write it on May 3, 1915, after presiding over the funeral of former student, friend, and fellow soldier Alexis Helmer, who died in the Second Battle of Ypres. According to legend, McCrae discarded the poem in a nearby trash can because he was not satisfied with it. A fellow officer retrieved it and sent it to newspapers in England. The Spectator, in London, rejected it, but the London-based magazine Punch published “In Flanders Fields” on December 8, 1915.

McCrae was moved to the medical corps and stationed in Boulogne, France, in June 1915 where he was promoted to Lieutenant-Colonel, and placed in charge of medicine at the Number 3 Canadian General Hospital. He was promoted to the acting rank of Colonel on January 13, 1918, and named Consulting Physician to the British Armies in France. The years of war had worn McCrae down, however. He contracted pneumonia that same day, and later came down with cerebral meningitis. On January 28, 1918, he died at the military hospital in Wimereux and was buried there with full military honors.

I chose this poem today because around the world, today is celebrated as Armistice Day or Remembrance Day and in the United States as Veterans Day. World War I – known at the time as “The Great War” – officially ended when the Treaty of Versailles was signed on June 28, 1919, five years after the assassination of Archduke Franz Ferdinand of Austria which had begun the war. The Treaty was signed in the Hall of Mirrors at the Palace of Versailles outside the town of Versailles, France. However, fighting ceased seven months earlier when an armistice, or temporary cessation of hostilities, between the Allied nations and Germany went into effect on the eleventh hour of the eleventh day of the eleventh month. For that reason, November 11, 1918, is generally regarded as the end of “the war to end all wars.”

In November 1919, President Wilson proclaimed November 11 as the first commemoration of Armistice Day with the following words: “To us in America, the reflections of Armistice Day will be filled with solemn pride in the heroism of those who died in the country’s service and with gratitude for the victory, both because of the thing from which it has freed us and because of the opportunity it has given America to show her sympathy with peace and justice in the councils of the nations…”. The original concept for the celebration was for a day observed with parades and public meetings and a brief suspension of business beginning at 11:00 a.m.

A Congressional Act approved May 13, 1938, officially made the 11th of November in each year a legal holiday—a day to be dedicated to the cause of world peace and to be thereafter celebrated and known as “Armistice Day.” Armistice Day was primarily a day set aside to honor veterans of World War I, but in 1954, after World War II had required the greatest mobilization of soldiers, sailors, Marines and airmen in the Nation’s history; after American forces had fought aggression in Korea, the 83rd Congress, at the urging of the veterans service organizations, amended the Act of 1938 by striking out the word “Armistice” and inserting in its place the word “Veterans.” With the approval of this legislation on June 1, 1954, November 11th became a day to honor American veterans of all wars.

Though there has been a few attempts to move the holiday to a Monday or to celebrate it at other times, Veterans Day continues to be observed on November 11, regardless of what day of the week on which it falls. The restoration of the observance of Veterans Day to November 11 not only preserves the historical significance of the date, but helps focus attention on the important purpose of Veterans Day: A celebration to honor America’s veterans for their patriotism, love of country, and willingness to serve and sacrifice for the common good.

Note:
The photograph above is from Kristine Potter’s series of black and white photographs, The Grey Line, a collection of portraits made at The United States Military Academy at West Point. I loved the mist in this picture. To me, it was a perfect symbol for a Veterans Day commemoration.


Four Winds

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Four Winds
By Sara Teasdale

“Four winds blowing thro’ the sky,
You have seen poor maidens die,
Tell me then what I shall do
That my lover may be true.”
Said the wind from out the south,
“Lay no kiss upon his mouth,”
And the wind from out the west,
“Wound the heart within his breast,”
And the wind from out the east,
“Send him empty from the feast,”
And the wind from out the north,
“In the tempest thrust him forth,
When thou art more cruel than he,
Then will Love be kind to thee.”


Haunted Houses

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Haunted Houses
By Henry Wadsworth Longfellow, 1807 – 1882

All houses wherein men have lived and died
Are haunted houses. Through the open doors
The harmless phantoms on their errands glide,
With feet that make no sound upon the floors.

We meet them at the door-way, on the stair,
Along the passages they come and go,
Impalpable impressions on the air,
A sense of something moving to and fro.

There are more guests at table than the hosts
Invited; the illuminated hall
Is thronged with quiet, inoffensive ghosts,
As silent as the pictures on the wall.

The stranger at my fireside cannot see
The forms I see, nor hear the sounds I hear;
He but perceives what is; while unto me
All that has been is visible and clear.

We have no title-deeds to house or lands;
Owners and occupants of earlier dates
From graves forgotten stretch their dusty hands,
And hold in mortmain still their old estates.

The spirit-world around this world of sense
Floats like an atmosphere, and everywhere
Wafts through these earthly mists and vapours dense
A vital breath of more ethereal air.

Our little lives are kept in equipoise
By opposite attractions and desires;
The struggle of the instinct that enjoys,
And the more noble instinct that aspires.

These perturbations, this perpetual jar
Of earthly wants and aspirations high,
Come from the influence of an unseen star
An undiscovered planet in our sky.

And as the moon from some dark gate of cloud
Throws o’er the sea a floating bridge of light,
Across whose trembling planks our fancies crowd
Into the realm of mystery and night,—

So from the world of spirits there descends
A bridge of light, connecting it with this,
O’er whose unsteady floor, that sways and bends,
Wander our thoughts above the dark abyss.

Henry Wadsworth Longfellow
Henry Wadsworth Longfellow, one of the “Fireside Poets,” wrote lyrical poems about history, mythology, and legend that were popular and widely translated, making him the most famous American of his day.

I’ve always loved a good ghost story. Do you think ghost stories are silly or interesting? Do you have a favorite? Do you believe in ghosts?

I find ghost stories fascinating, and I do have a few favorites. And, I do believe in ghosts. I think some souls just have a hard time moving on in the afterlife.


Rome at the Pyramid of Cestius Near the Graves of Shelley and Keats

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Rome at the Pyramid of Cestius Near the Graves of Shelley and Keats (1887)
By Thomas Hardy

Who, then, was Cestius,
And what is he to me? –
Amid thick thoughts and memories multitudinous
One thought alone brings he.

I can recall no word
Of anything he did;
For me he is a man who died and was interred
To leave a pyramid

Whose purpose was exprest
Not with its first design,
Nor till, far down in Time, beside it found their rest
Two countrymen of mine.

Cestius in life, maybe,
Slew, breathed out threatening;
I know not. This I know: in death all silently
He does a kindlier thing,

In beckoning pilgrim feet
With marble finger high
To where, by shadowy wall and history-haunted street,
Those matchless singers lie . . .

–Say, then, he lived and died
That stones which bear his name
Should mark, through Time, where two immortal Shades abide;
It is an ample fame.

The Protestant Cemetery of Rome, now officially called the Cimitero acattolico (“Non-Catholic Cemetery”) and often referred to as the Cimitero degli Inglesi (“Englishmen’s Cemetery”), is located near Porta San Paolo alongside the Pyramid of Cestius, a small-scale Egyptian-style pyramid built in 30 BC as a tomb and later incorporated into the section of the Aurelian Walls that borders the cemetery. The presence of Mediterranean cypress, pomegranate, and other trees, and a grassy meadow suggests the more naturalistic landscape style of northern Europe, where cemeteries sometimes incorporate grass and other greenery. As the official name indicates, it is the final resting place of non-Catholics including but not exclusive to Protestants or British and Americans. It contains the graves of many Orthodox Christians, Jews, Muslims and other non-Christians. It is one of the oldest burial grounds in continuous use in Europe, having started to be used around 1716.

The Cimitero Acattolico di Roma contains possibly the highest density of famous and important graves anywhere in the world. It is the final resting-place of the poets Shelley and Keats, of many painters, sculptors and authors, a number of scholars, several diplomats, Goethe’s only son, and Antonio Gramsci, a founding father of European Communism, to name only a few.

When you visit this cemetery in Rome, one of the first sites you see is the Pyramid of Cestius. I have to admit, the Protestant cemeteries in Rome and Florence were two of the highlights of my research trip to Italy several years ago. Not only are cemeteries a great source of research, but also the gravestones are often more than just markings for the dead, but works of art. One of those pieces of art is the Angel of Grief, an 1894 sculpture by William Wetmore Story which serves as the grave stone of the artist and his wife Emelyn Story. The grave is now used to describe multiple grave stones throughout the world erected in the style of the Story stone.

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If you are ever in Rome, you really should visit the Cimitero Acattolico di Roma.


Once More Unto the Breach

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From Henry V
By William Shakespeare

Once more unto the breach, dear friends, once more;
Or close the wall up with our English dead.
In peace there’s nothing so becomes a man
As modest stillness and humility:
But when the blast of war blows in our ears,
Then imitate the action of the tiger;
Stiffen the sinews, summon up the blood,
Disguise fair nature with hard-favour’d rage;
Then lend the eye a terrible aspect;
Let pry through the portage of the head
Like the brass cannon; let the brow o’erwhelm it
As fearfully as doth a galled rock
O’erhang and jutty his confounded base,
Swill’d with the wild and wasteful ocean.
Now set the teeth and stretch the nostril wide,
Hold hard the breath and bend up every spirit
To his full height. On, on, you noblest English.
Whose blood is fet from fathers of war-proof!
Fathers that, like so many Alexanders,
Have in these parts from morn till even fought
And sheathed their swords for lack of argument:
Dishonour not your mothers; now attest
That those whom you call’d fathers did beget you.
Be copy now to men of grosser blood,
And teach them how to war. And you, good yeoman,
Whose limbs were made in England, show us here
The mettle of your pasture; let us swear
That you are worth your breeding; which I doubt not;
For there is none of you so mean and base,
That hath not noble lustre in your eyes.
I see you stand like greyhounds in the slips,
Straining upon the start. The game’s afoot:
Follow your spirit, and upon this charge
Cry ‘God for Harry, England, and Saint George!’

Yesterday I wrote about the Equal Rights Amendment and how I believe we should have a new ERA that includes LGBT equality. The ERA was introduced into every Congress from 1923 until it was passed in 1972. It was a long fought battle, which was never won. Once it had passed through Congress, there were fifty battles to be fought and a minimum of thirty-eight had to be won. Those fighting the good fight, lost three battles too many. Once more into the breach we should go and fight the good fight again, but this time we should make sure that all men and women are equal.